Clara Bow in Pre-Code Hollywood Drama “Call Her Savage” (1932)

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Clara Bow in “Call Her Savage”, 1932 via

Twentieth Century Fox-Inside the Photo Archive

Clara Bow in “Call Her Savage”, 1932 via

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Vintage Photos of Sue Lyon on the set of “The night of the Iguana” (1964)

The Night of the Iguana is a 1964 film based on the 1961 play of the same name written by Tennessee Williams.

The film grossed $12 million worldwide at the box office, earning $4.5 million in US theatrical rentals. It was the 10th highest-grossing film of 1964. Time magazine’s reviewer wrote:

“Huston and company put together a picture that excites the senses, persuades the mind, and even occasionally speaks to the spirit—one of the best movies ever made from a Tennessee Williams play.”

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Sue Lyon on the set of The night of the iguana directed by John Huston, 1964. Photo by Gjon Mili via

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Director John Huston and Sue Lyon on the set of The night of the iguana, 1964. Photo by Gjon Mili via

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Director John Huston and Sue Lyon on the set of The night of the iguana, 1964. Photo by Gjon Mili via

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Sue Lyon and Hampton Fancher on the set of The night of the iguana directed by John Huston, 1964. Photo by Gjon Mili via

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Sue Lyon and Hampton Fancher on the set of The night of the iguana directed by John Huston, 1964. Photo by Gjon Mili via

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Sue Lyon on the set of The night of the iguana directed by John Huston, 1964. Photo by Gjon Mili via

Monica Vitti & Alain Delon at the Press Conference for L’eclisse (1962)

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Monica Vitti, Alain Delon with Romy Schneider at the press conference for L’eclisse directed by Michelangelo Antonioni, 1962 via

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Monica Vitti, Alain Delon with Romy Schneider at the press conference for L’eclisse directed by Michelangelo Antonioni, 1962 via

Vintage Photos of Brigitte Bardot on the Film Set of “Le Mépris” (1963)

Le Mépris or Contempt is a 1963 French-Italian drama film written and directed by Jean-Luc Godard, based on the Italian novel Il disprezzo (A Ghost at Noon) by Alberto Moravia.

It stars Brigitte Bardot as Camille Javal, the wife of Paul Javal (Michel Piccoli), a young French playwright who has found commercial success in Rome, and accepts an offer from vulgar American producer Jeremy Prokosch (Jack Palance) to rework the script for German director Fritz Lang’s screen adaptation of The Odyssey.

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Brigitte Bardot on the set of Le Mépris directed by Jean-Luc Godard, 1963. Photo by Tazio Secchiaroli via

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Brigitte Bardot on the set of Le Mépris directed by Jean-Luc Godard, 1963. Photo by Tazio Secchiaroli via

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Brigitte Bardot on the set of Le Mépris directed by Jean-Luc Godard, 1963. Photo by Tazio Secchiaroli via

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Le Mépris directed by Jean-Luc Godard, 1963. Photo by Tazio Secchiaroli via

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Le Mépris directed by Jean-Luc Godard, 1963. Photo by Tazio Secchiaroli via

Anita Ekberg Inside St Peter’s dome in La Dolce Vita (1960)

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Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

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Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

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Marcello Mastroianni and Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

Gregory Peck and Audrey Hepburn in Roman Holiday (1953)

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Portrait of Gregory Peck and Audrey Hepburn for Roman Holiday directed by William Wyler, 1953 via

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Portrait of Gregory Peck and Audrey Hepburn for Roman Holiday directed by William Wyler, 1953 via