Amazing Photographic Portraits of Dora Maar by Man Ray (1936)

Dora Maar (1907 – 1997) was a French photographer, painter, and poet. She was a lover and muse of Pablo Picasso.

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Portrait of Dora Maar by Man Ray, 1936 via

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Portrait of Dora Maar by Man Ray, 1936 via

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Portrait of Dora Maar by Man Ray, 1936 via

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Portrait of Dora Maar by Man Ray, 1936 via

Vintage Photos of Performance Artist Emmy Hennings (1885-1948)

Emmy Hennings (born Emma Maria Cordsen, 1885 – 1948) was a performer and poet. She was also the wife of celebrated Dadaist Hugo Ball.

Hennings and Ball moved to Zurich in 1915, where they took part in the founding of the Cabaret Voltaire, which marked the beginning of the Dada movement. Hennings was a regular performer at the Cabaret Voltaire. Her performances included a role in Das Leben des Menschen (the Life of a Man), in which she appeared with Ball.

In The Magic Bishop: Hugo Ball, Dada Poet, author Erdmute Wenzel White writes that Hennings “was admired by expressionists as the incarnation of the cabaret artist of her time… The shining star of the Voltaire, according to the Zuricher Post (Zurich Post), her role in Dada has not been adequately acknowledged.

After the Cabaret Voltaire ended, Hennings and Ball toured, performing mostly in hotels. Hennings sang, did puppetry, and danced to music composed by Ball. She also recited her own poetry. In 1916 Ball and Hennings created Arabella, their own ensemble troupe, where Hennings performed under the name Dagny.

Hennings married Ball on 21 February 1920. Although they had no children together, Hennings had a daughter, Annemarie, from a previous relationship. Hennings, who outlived Ball by two decades, lived in Magliaso, Switzerland from 1942 to 1948. She died at a clinic in Sorengo, Switzerland.

Emmy Hennings been almost completely erased from the history of the Dada movement. This was due to her own inner conflict, her extreme practice of Catholicism contrasting with her debauched bohemian lifestyle but also because of her constant rewriting of her story and that of Hugo Ball during the latter part of her life. Dada artists and historians thus preferred to eclipse the role Emmy Hennings and turned her into a naive eccentric adorned by a childish bob haircut (source).

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Emmy Hennings and her dada puppets, 1916 via

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Emmy Hennings, 1910-1913 via

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Emmy Hennings with her friends for Revolution Ball of “Action”, 1915 via

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Emmy Hennings, 1915 via

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Emmy Hennings, 1917-1918

Vintage Photos of Suzanne Lenglen – the Greatest Female Tennis Player in History

Suzanne Lenglen (1899 – 1938) was a French tennis player who won 31 Championship titles between 1914 and 1926. She was the first female tennis celebrity and one of the first international female sport stars, named La Divine (the Goddess) by the French press. She dominated women’s tennis from 1914 until 1926 when she turned professional.

Prior to Lenglen, female tennis matches drew little fan interest, which quickly changed as she became her sport’s greatest drawing card. Tennis devotees and new fans to the game began lining up in droves to buy tickets to her matches. Temperamental, flamboyant, she was a passionate player whose intensity on court could lead to an unabashed display of tears. But for all her flamboyance, she was a gifted and brilliant player who used extremely agile footwork, speed and a deadly accurate shot to dominate female tennis for seven straight years. Her excellent play and introduction of glamour to the tennis court increased the interest in women’s tennis, and women’s sports in general.

Lenglen’s 241 titles, 181 match winning streak and 341-7 (98%) match record are hard to imagine happening in today’s tennis atmosphere.

 

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French tennis player Suzanne Langlen via

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Suzanne Lenglen in Jean Patou Tennis Ensemble, 1920 via

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Jacques Henri Lartigue, Suzanne Lenglen training, Nice, 1921 © Ministère de la Culture – France / AAJHL via

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Suzanne Lenglen in Jean Patou Ensemble, 1926 via

Clara Bow in “Call Her Savage” (1932)

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Hal Phyfe, Clara Bow in “Call Her Savage” directed by John Francis Dillon, 1932 via

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Hal Phyfe, Clara Bow in “Call Her Savage” directed by John Francis Dillon, 1932 via

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Hal Phyfe, Clara Bow in “Call Her Savage” directed by John Francis Dillon, 1932 via