Elizabeth Taylor for A Place in the Sun, 1951. Dress by Edith Head via
Tag Archives: 1950s cinema
Elizabeth Taylor for A Cat on A Hot Tin Roof (1958)
Gregory Peck and Audrey Hepburn in Roman Holiday (1953)
Beautiful Elizabeth Taylor in historical film Beau Brummell (1954)
George Bryan “Beau” Brummell (1778 – 1840) was an iconic figure in Regency England, the arbiter of men’s fashion, and a friend of the Prince Regent, the future King George IV.
Beau Brummell is a 1954 American-British historical film released by Metro-Goldwyn-Mayer. According to MGM records the film earned $1,049,000 in the US and $1,652,000 elsewhere. It made a loss of $383,000.
However, in recent years the film has attained a considerable cult status and popularity, largely because of the story of British high society in the colorful Napoleonic and Regency Eras and because of memorable performances by Granger, Taylor, Ustinov and Morley as “Mad King George III”.
Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via
Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via
Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via
Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via
Elizabeth Taylor by Virgil Apger on the set of “Beau Brummell” directed by Curtis Bernhardt, 1954 via
Elizabeth Taylor by Virgil Apger on the set of “Beau Brummell” directed by Curtis Bernhardt, 1954 via
Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via
Vintage Photos of Jean Seberg on the set of Bonjour Tristesse (1958)
Bonjour Tristesse (“Hello, Sadness”) is a 1958 British-American Technicolor film in CinemaScope, directed and produced by Otto Preminger from a screenplay by Arthur Laurents based on the novel of the same title by Françoise Sagan.
A Guardian piece in 2012 described it as:
“an example of Hollywood’s golden age, and both its star and its famously tyrannical director are ripe for rediscovery.”
The film stars Jean Seberg as Cécile, a decadent young girl who lives with her rich playboy father, Raymond (David Niven). Anne (Deborah Kerr), a mature and cultured friend of Raymond’s late wife, arrives at Raymond’s villa for a visit.
Cécile is afraid that Anne will disrupt the undisciplined way of life that she has shared with her father, so she does her best to break up the relationship with Anne.
Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via
Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via
Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via
Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via
Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via
Brigitte Bardot Dressed in Vintage Balmain for “The Bride Is Much Too Beautiful” (1956)
The Bride is Much Too Beautiful is a 1956 French comedy film directed by Pierre Gaspard-Huit.
It was also known as Her Bridal Night and La mariée est trop belle.
The wedding dress that Bardot wears in the film is by French designer Pierre Balmain.
Brigitte Bardot in The Bride Is Much Too Beautiful directed by Pierre Gaspard-Huit, 1956. Dress by Pierre Balmain via
Brigitte Bardot in The Bride Is Much Too Beautiful directed by Pierre Gaspard-Huit, 1956. Dress by Pierre Balmain via
Brigitte Bardot in The Bride Is Much Too Beautiful directed by Pierre Gaspard-Huit, 1958. Dress by Pierre Balmain via
Brigitte Bardot in The Bride Is Much Too Beautiful directed by Pierre Gaspard-Huit, 1956 via
Two Portraits of Romy Schneider on the Set of Sissi (1957)
Portrait of Romy Schneider on the set of Sissi – Schicksalsjahre einer Kaiserin/ Face à son destin, directed by Ernest Marischka, 1957. Photo by F.C. Gundlach via
Portrait of Romy Schneider on the set of Sissi – Schicksalsjahre einer Kaiserin/ Face à son destin, directed by Ernest Marischka, 1957. Photo by F.C. Gundlach via
