A Collection of Vintage Photos feat. Actress Ethel Warwick (1882-1951)

Ethel  Warwick (1882 – 1951) was the daughter of Frank and Maude, born in Hardingstone, Northampton. Her education began in Margate and Hampstead, but by the early 1890’s she was studying to become an artist at the London Polytechnic.

She became an artists model to help pay her tuition there, which led to her meeting Herbert Draper, who used her as a model for several of his paintings, including The Lament for Icarus. Through him she became a favoured model for several artists, including John William Godward, who painted several portraits of her, and Linley Sambourne, for whom she posed nude in a series of photographic studies. She was also sketched by James McNeill Whistler.

She began training as an actress at Henry Neville’s acting school in the late 1890’s, and first appeared on stage at the Grande Theatre in Fulham in July 1900 as Emilie de L’Esparre in The Corsican Brothers. She later appeared in several films.

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Ethel Warwick published by Rotary Photographic Co Ltd bromide postcard print, © National Portrait Gallery, London, circa 1906 via

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Ethel Warwick by Reautlinger via

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Ethel Warwick by Reautlinger via

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Ethel Warwick, 1900 via

Hazel Lavery by E.O. Hoppé (1916)

Hazel, Lady Lavery (1880–1935) was a socialite, actress and painter. She was the second wife of portrait artist Sir John Lavery.

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Hazel Lavery by E.O. Hoppé gelatin silver print, 1916 © 2019 E.O. Hoppé Estate Collection / Curatorial Assistance Inc. (NPG) via

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Hazel Lavery by E.O. Hoppé gelatin silver print, 1916 © 2019 E.O. Hoppé Estate Collection / Curatorial Assistance Inc. NPG via

Evelyn Nesbit by Otto Sarony (1901)

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Otto Sarony, Portrait of Evelyn Nesbit, 1901 via

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Otto Sarony, Portrait of Evelyn Nesbit, 1901 via

Lady Hazel Lavery by Emil Otto Hoppé (1916)

Hazel, Lady Lavery (1880–1935) was a painter and the second wife of the celebrated portrait artist Sir John Lavery. Born in Chicago, Hazel Martyn was the daughter of Edward Jenner Martyn, a wealthy industrialist of Irish descent. A contemporary account refers to young Hazel Martyn as “The Most Beautiful Girl in the Midwest”.

In 1909 she and Lavery married. Subsequently, she became Lavery’s most frequent sitter. She sat for more than 400 portraits by Sir John. Many were similarly named, leading an expert to remark that “Hazel in…” is virtually a Lavery trademark.

Lady Hazel Lavery, United States, 1916

Emil Otto Hoppé, Lady Hazel Lavery, United States, 1916 via

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Emil Otto Hoppé, Lady Hazel Lavery, 1916 via

Evelyn Nesbit by Otto Sarony (1901)

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Otto Sarony, Portrait of Evelyn Nesbit, 1901 via

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Otto Sarony, Portrait of Evelyn Nesbit, 1901 via

Vintage Photos of Jeanne Hébuterne

Jeanne Hébuterne (1898 – 1920) was a French artist, best known as the frequent subject and common-law wife of the artist Amedeo Modigliani. Born in Paris, she aspired to be an artist and was introduced to the vibrant Montparnasse artist community through her brother Andre, who was himself an artist.

She modeled for several painters and sculptors, but soon enrolled in the Academie Colarossi for her own artistic training. There, in the spring of 1917, she met the charismatic artist Amedeo  Modigliani. Jeanne began an affair with the charismatic artist, and the two fell deeply in love. She soon moved in with him, despite strong objection from her parents

Modigliani, suffering from tuberculous meningitis,  died in January 1920. Jeanne Hébuterne’s family brought her to their home but Jeanne, totally distraught, threw herself out of the fifth-floor apartment window the day after Modigliani’s death, killing herself and her unborn child. Her family, who blamed her demise on Modigliani, interred her in the Cimetière de Bagneux. Nearly ten years later, the Hébuterne family finally relented and allowed her remains to be transferred to Père Lachaise Cemetery to rest beside Modigliani. Her epitaph reads:

“Devoted companion to the extreme sacrifice”.

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Jeanne Hébuterne (1914) via

Jeanne Hébuterne all'età di sedici anni (1914)

Jeanne Hébuterne (1914) via

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Jeanne Hébuterne via

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Jeanne Hébuterne at Amedeo Modigliani atelier in Montparnasse Paris (1919) from iulia achimescu via

Beautiful Belle Epoque Photos of Marcelle Lender

Marcelle Lender (1862 – 1926) was a French singer, dancer and entertainer made famous in paintings by Henri de Toulouse-Lautrec.

Born Anne-Marie Marcelle Bastien, she began dancing at the age of sixteen and within a few years made a name for herself performing at the Théâtre des Variétés in Montmartre.

Marcelle Lender appears in several works by Lautrec but the most notable is the one of her dancing the Bolero during her February 1895 performance in the Hervé operetta Chilpéric. Lautrec’s portrait of her in full costume, her flame-red hair accentuated by two red poppies worn like plumes, boosted Lender’s popularity considerably after it appeared in a Paris magazine. The painting was eventually sold to a collector from the United States, and on her death in 1998 the painting’s then owner, American Betsey Cushing Whitney, donated it to the National Gallery of Art in Washington, D.C.

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Marcelle Lender, 1900s french postcard by Reutlinger via

 

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Marcelle Lender via

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Marcelle Lender via

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Mlle Marcelle Lender. Robe de bal par Doucet via

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Marcelle Lender via

Amazing Victorian Photos of Muse Jane Morris (1860s)

Jane Morris (née Jane Burden 1839 –  1914) was an English artists’ model who embodied the Pre-Raphaelite ideal of beauty. Her father was a stableman and her mother a laundress, Jane Burden grew up in impoverished surroundings in Oxford.

She became a model and muse to the artists William Morris, whom she married  in 1859, and Dante Gabriel Rossetti.

Although she married Morris, it was Dante Gabriel Rossetti who first spotted Jane at a performance at Drury Lane Theatre in 1857 and asked her if she would model for his paintings.

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Jane Morris, posed by Rossetti by John R Parsons, 1865 via

John Robert Parsons, under the direction of Rossetti, 1865
© V&A Images / Victoria and Albert Museum, London via

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Jane Morris, posed by Rossetti by John R Parsons, 1865 via

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Jane Morris, posed by Rossetti by John R Parsons, 1865 via