Wonderful Edwardian Hand-coloured Postcards of Gabrielle Ray

Gabrielle Ray (1883 – 1973), was an English stage actress, dancer and singer, best known for her roles in Edwardian musical comedies.

NPG x198003; Gabrielle Ray by Bassano Ltd, published by  Aristophot Co Ltd

Gabrielle Ray by Bassano Ltd, published by Aristophot Co Ltd
hand-coloured postcard print, 1900s.

© National Portrait Gallery, London via

NPG x198011; Gabrielle Ray by Bassano Ltd, published by  Aristophot Co Ltd

Gabrielle Ray by Bassano Ltd, published by Aristophot Co Ltd
hand-coloured postcard print, 1900s

© National Portrait Gallery, London via

NPG x160555; Gabrielle Ray published by Davidson Brothers

Gabrielle Ray by The Biograph Studio, published by Davidson Brothers
hand-coloured bromide postcard print, circa 1903

© National Portrait Gallery, London via

NPG x196335; Gabrielle Ray by W. & D. Downey, published by  The Philco Publishing Co

Gabrielle Ray by W. & D. Downey, published by The Philco Publishing Co
hand-coloured bromide postcard print with glitter and sequins, circa 1905

© National Portrait Gallery, London via

NPG x196336; Gabrielle Ray by W. & D. Downey, published by  The Philco Publishing Co

Gabrielle Ray by W. & D. Downey, published by The Philco Publishing Co
hand-coloured bromide postcard print, 1905

© National Portrait Gallery, London via

NPG x22002; Gabrielle Ray published by Davidson Brothers

Gabrielle Ray published by Davidson Brothers
hand-coloured postcard print, circa 1905

© National Portrait Gallery, London via

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Yvonne Arnaud by Bassano (1912)

Yvonne Arnaud (1890 – 1958) was a French pianist, singer and actress.

After beginning a career as a concert pianist as a child, Arnaud acted in musical comedies.

until 1911, she performed with leading orchestras throughout Europe and the US. In 1911 she decided to try the stage instead of the concert hall and obtained an engagement at London’s Adelphi Theatre as understudy to Elsie Spain in the role of Princess Mathilde in The Quaker Girl, first going on stage in that role on 7 August 1911. She next played the leading role of Suzanne in the musical The Girl in the Taxi (1912), earning popularity with her vivacity and charming French accent.

Around 1920 she switched to non-musical comedy and drama and was one of the players in the second of the Aldwych farces, A Cuckoo in the Nest, a hit in 1925.

She also had dramatic roles and made films in the 1930s and 40s, and continued to act into the 1950s.

She occasionally performed as a pianist later in her career.

by Bassano, whole-plate glass negative, November 1912

Yvonne Arnaud by Bassano, whole-plate glass negative, November 1912

via

© National Portrait Gallery, London

by Bassano, whole-plate glass negative, November 1912

Yvonne Arnaud by Bassano, whole-plate glass negative, November 1912

© National Portrait Gallery, London

by Bassano, whole-plate glass negative, November 1912
Yvonne Arnaud by Bassano, whole-plate glass negative, November 1912

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© National Portrait Gallery, London

 

Camille Clifford by Bassano (1916)

by Bassano, whole-plate glass negative, 22 May 1916

Camille Clifford by Bassano, whole-plate glass negative, 22 May 1916

© National Portrait Gallery, London

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by Bassano, whole-plate glass negative, 22 May 1916

Camille Clifford by Bassano, whole-plate glass negative, 22 May 1916

© National Portrait Gallery, London

via

npg.org.uk/

by Bassano, whole-plate glass negative, 22 May 1916

Camille Clifford by Bassano, whole-plate glass negative, 22 May 1916

© National Portrait Gallery, London

via

npg.org.uk/

by Bassano, whole-plate glass negative, 22 May 1916

Camille Clifford by Bassano, whole-plate glass negative, 22 May 1916

© National Portrait Gallery, London

via

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May de Sousa by Bassano 1905

May De Sousa (1884 – 1948) was an American singer and a Broadway actress.

She came to fame in 1898 as the singer of “Dear Midnight of Love”, a ballad by Bathhouse John Coughlin. She retired in 1918 following a theatrical production in Australia. She married a local doctor and eventually moved to Shanghai.

In 1943, following two periods as a prisoner of war in internment camps in China, she returned to the United States on the Gripsholm and took a job in Chicago as a scrubwoman in the public-school system. She died in Chicago charity ward, of malnutrition, at age 66.

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May De Sousa by Bassano, c. 1905

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May De Sousa by Bassano, c. 1905

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Amazing Photos of The Salomé Dancer: Maud Allan

Canadian pianist-turned-actor, dancer and choreographer Maud Allan (1873 – 1956) was born as Beulah Maude Durrant. She spent her early years in San Francisco, California, moving to Germany in 1895 to study piano at the Hochschule für Musik in Berlin. She changed her name in part by the scandal surrounding her brother Theodore Durrant, who was hanged in 1898 for murder. Allan never recuperated from the trauma of this event. She abandoned piano-playing and developed a new means of self-expression through dance.

Shortly before she began dancing professionally Allan is said to have illustrated an encyclopedia for women titled Illustriertes Konversations-Lexikon der Frau.

In 1906 her production “Vision of Salomé” opened in Vienna. Based loosely on Oscar Wilde’s play ,Salomé, her version of the Dance of the Seven Veils became famous (and to some notorious) and she was billed as “The Salomé Dancer”. Her book My Life and Dancing was published in 1908 and that year she took England by storm in a tour in which she did 250 performances in less than one year.

Allan is remembered for her “famously impressionistic mood settings”. She was athletic, had great imagination and even designed  and sewed her own costumes. But she had little formal dance training. She was once compared to professional dancer and legend Isadora Duncan, which greatly enraged her, as she disliked Duncan.

Around 1918 Allan’s popularity began to take a turn. In a hope of earning back some of her public adoration she starred in a private performance of the ‘Vision of Salome’ and irked homophobic right-wing nationalist MP Noel Pemberton Billing. Mr Billing wanted Allan’s downfall as there was a rumor circulating that she had a lesbian affair with Margot Asquith, the wife of former prime minister Herbert Asquith. He believed that Allan and the Asquiths were all German spies; which he implied in an article. Allan sued Billing for criminal libel, but she lost the case.

Hence, from the 1920s on Allan taught dance and she lived with her secretary and lover, Verna Aldrich. She died in Los Angeles, California.

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Maud Allan ca. 1906

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Maud Allan as Salome c.1906

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Maud Allan as Salome c.1906

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Maud Allan as Salome c.1906

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NPG x83002; Maud Allan by Bassano

Maud Allan 1913 by Bassano

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Maud Allan by Reutlinger 1909

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Marie Doro – Beautiful Edwardian Actress

Marie Doro (b. 1882) was an American stage and film actress of the early silent film era. Like many other young ladies, she started out in the chorus in musical comedy productions. Marie Doro starred in at least 18 movies including ‘The Admirable Crichton’ in 1903, ‘Sherlock Holmes’ in 1905-06, ‘Electricity’ in 1910 and ‘Diplomacy’ in 1914. On tour of England in the mid 1900’s, she starred with the unknown teenage Charles Chaplin.

By the early 1920s Doro became increasingly disillusioned with Hollywood and her acting career. She returned to the Broadway stage one last time in 1921 with Josephine Drake in Lilies of the Field. She made two more feature films, the last of them being Sally Bishop, but left Hollywood in 1924, relocated to Europe for a time and made a number of films in Italy and the UK. Returning to the United States, she became increasingly reclusive and drawn to spiritual matters. After moving to New York City, she briefly studied at the Union Theological Seminary.

After returning to the United States, she spent the rest of her life in seclusion. She would often go on self-styled “retreats” in which she went to extremes to elude friends and acquaintances, even to the point of changing hotels four times a week.

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Marie Doro – circa 1900

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Marie Doro – circa 1900

Bassano. Marie Doro. 1913.

Maria Doro

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