Vintage French Millinery by Jean Barthet

Jean Barthet (1920–2000) was a French milliner who first rose to prominence in the 1950s as hat maker to Hollywood and French film stars, also designing hats for films such as The Young Girls of Rochefort.

He helped to define fashionable hat styles – including the bucket hat, pillbox hat and fedora – that predominated throughout the 1960s and collaborated with major couture houses.

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Jean Barthet, Hat, photographed by Henry Clarke, 1955 via

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Denise Sarrault in Jean Barthet Beret, photographed by Georges Saad, 1957 via

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Capucine in Jean Barthet, Hat, photographed by Willy Maywald, 1950s via

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Brigitte Bardot in Jean Barthet Hat, 1961 via

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Beautifully Documented 1950s Fashion and Glamour by Slim Aarons

American photographer Slim Aarons (1916 – 2006), was an noted for photographing socialites, jet-setters and celebrities.

Aarons never used a stylist, or a makeup artist. He made his career out of what he called

“photographing attractive people doing attractive things in attractive places.”

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Slim Aarons ‘Tina Onassis’ Monte Carlo (Estate Stamped Edition) 1958 via

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‘Evening Dress’ by Slim Aarons Mrs. Augustus G. Paine II at the house of her father, Earl E. T. Smith, wearing an evening dress by Luis Estevez, USA, circa 1955 via

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‘New York Chic’ by Slim Aarons A young woman modelling a belted dress with pencil skirt, New York City, June 1953 via

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‘Exclusive Fashions’ by Slim Aarons Mrs T.R. Potter and Mrs Edward Magnus (right) in the Saks of 5th Avenue dress shop, Worth Avenue, Palm Beach, Florida, circa 1955 via

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‘Saks Fashion Show’ (Estate Stamped Edition) by Slim Aarons. An evening dress being modelled at a fashion show held by Saks of Fifth Avenue, New York. The audience, who are in evening dress, are also being wined and dined, 1955 via

Ivy Nicholson in Hubert de Givenchy Ensemble (1952)

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Ivy Nicholson in Hubert de Givenchy Ensemble, photographed by Nat Farbman, 1952 via

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Ivy Nicholson in Hubert de Givenchy Ensemble, photographed by Nat Farbman, 1952 via

Gorgeous Vintage Sculptural Dresses By Charles James (1950)

Charles James (1906 – 1978) was a British-born fashion designer known as “America’s First Couturier”. He is widely considered to have been a master of cutting and is known for his highly structured aesthetic

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Charles James, Dresses, photographed by Eliot Elisonfon, 1950

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Charles James, Dresses, photographed by Eliot Elisonfon, 1950

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Charles James, Dresses, photographed by Eliot Elisonfon, 1950

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Charles James, Dresses, photographed by Eliot Elisonfon, 1950

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Charles James, Dresses, photographed by Eliot Elisonfon, 1950

Costumes de Théâtre by Redfern (1908)

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Exposition à l’Hôtel des Modes. Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1908 via

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Exposition à l’Hôtel des Modes. Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme , 1908 via

Amazing Vintage Photos of Fashion Models Wearing Givenchy (1952)

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Ivy Nicholson in Hubert de Givenchy Hat, photographed by Nat Farbman, 1952 via

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Bettina Graziani in Hubert de Givenchy Ensemble, photographed by Nat Farbman, 1952 via

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Ivy Nicholson, Sophie Malgat and Bettina Graziani in Givenchy’s interchangeable tops and skirts, photographed by Nat Farbman, 1952 via

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Ivy Nicholson, Sophie Malgat and Bettina Graziani in Hubert de Givenchy Tops en Skirts, photographed by Nat Farbman, 1952 via

 

Beautiful Belle Epoque Couture by Redfern

Redfern & Sons (later Redfern Ltd), was a British tailoring firm founded by John Redfern (1820-1895) in Cowes on the Isle of Wight that developed into a leading European couture house (active: 1855–1932; 1936–1940). By the early 1890s the business had branches in London, Edinburgh, Paris and New York.

The Paris extension was operated as a couture establishment while its other branches functioned primarily as tailors and importers.

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“Robe de bal en chantilly blanc, incrustée de chantilly noir, bordée de sequins noirs. Au bord du décolleté et dans le bas de la jupe, haut marabout de sequins.” Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1902 via

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“Robe en crêpe de chine avec incrustation d’angleterre ; devant en tulle plissé ; ceinture liberty brodée de perles fines.” Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1903 via

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“Robe en tulle et dentelle d’Alençon, laissant entrevoir la taille, ceinte d’un ruban Pompadour.” Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1903 via

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“Robe avec guirlandes de liserons en paillettes nacrées, sur tulle blanc ; épaulettes en perles fines , guirlande de liserons sur l’épaule gauche.” Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1903 via

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“Robe en linon blanc brodé. Pélerine avec incrustations de valenciennes ; jupe avec incrustations et volant de valenciennes, monté sur fond Pompadour. Ceinture faite d’un large ruban Pompadour et munie de longs pans.” Photograph from Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1903 via

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“Robe en linon royal et broderie anglaise avec entre deux et volants de valenciennes ; ceinture de taffetas Pompadour.” Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1904 via

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“Robe en voile blanc ; ceinture en taffetas brodé Pompadour ainsi que l’empiècement en dentelle du corsage”. Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1904 via

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Robe d’après-midi par Redfern 1904 via

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“Robe en velours bois de rose, guirlandes de roses de velours, brodées vieux tons. Grande veste en faille noire tissée de roses de France ombrées vieux tons d’or, garnie de chinchilla.” Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1906 via