Paul Poiret (1879 – 1944) became a legendary French Couturier. His contributions to twentieth-century fashion have been likened to Picasso’s contributions to twentieth-century art. Poiret dominated Belle Epoque fashion and reshaped women’s silhouettes by liberating them from constricting corsets and popularising the high waist. From abolishing the corset he went further with hobble skirts, “harem” pantaloons, and “lampshade” tunics, using the fabulous soirées he threw in his garden to promote such whimsies. His most famous soirée was The Thousand and Second Night party he threw in 1911. Unfortunately post war Europe and the public were not akin or sympathetic to Poiret’s style and he closed his house, heavy in debt, in 1929.
He was employed at the house of Worth but did not continue there for long. On the 1st September, 1904 he opened his own establishment at 5 Rue Auber. Between 1904-1924 he irrevocably changed the feminine form with his new fashion designs. Poiret’s major contribution to fashion was his development of an approach to dressmaking centered on draping, a radical departure from the tailoring and pattern-making of the past. He dismissed the use of corsets, he eliminated layered petticoats, was influenced by orientalism and he introduced the first modern straight lined dress. He also was the first designer to commercialise his own perfumes, launching a now standard marketing concept. He is also quoted to have said:
“My wife is the inspiration for all my creations; she is the expression of all my ideals.”
His wife, Denise, was his muse, creative director of the fashion house, and his favorite model. However, they divorced less than amicably in 1928 (Time reported: “M. Poiret charged that his wife’s attitude was injurious; Mme Poiret counter charged that her husband was cruel”).
Denise, Mme Poiret.
Paul Poiret Studio 1910’s
Paul Poiret’s studio
Paul Poiret’s costume party
Paul Poiret 1925
Paul Poiret, “Amphitrite” Cape, the textile designed by Raoul Dufy, 1926.
Paul Poiret 1927