Carmen Miranda by Annemarie Heinrich (1930s)

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Carmen Miranda photographed by Annemarie Heinrich in Buenos Aires, c. 1930s via

ANNEMARIE HEINRICH - Carmen Miranda

Carmen Miranda photographed by Annemarie Heinrich in Buenos Aires, c. 1930s.

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Marvelous Portraits by Edward Weston

Edward Henry Weston (1886 – 1958) was a 20th-century American photographer. He has been called:

“one of the most innovative and influential American photographers…” and “one of the masters of 20th century photography.”

Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a:

“quintessentially American, and specially Californian, approach to modern photography”

because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.

Weston was born in Chicago and moved to California when he was 21. He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time. Within a few years, however, he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images.

In 1947 he was diagnosed with Parkinson’s disease and he stopped photographing soon thereafter. He spent the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images.

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Edward Weston, Portrait of Ruth St. Denis, 1916 via

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Edward Weston, Unidentified Woman, 1920 via

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Tina Modotti, Glendale. Photograph by Edward Weston, 1921 via

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Edward Weston. Frida Kahlo, 1930 via

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Xenia Kashevaroff photographed by Edward Weston in 1931. This portrait is now in the collection of New York’s Metropolitan Museum of Art via

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Edward Weston, Charis Wilson, 1941 The Lane Collection
Courtesy, Museum of Fine Arts, Boston via

Amazing Surreal Photomontages by Grete Stern II

Grete Stern (1904–99) began taking private classes with Walter Peterhans―soon to become head of photography at the Bauhaus―in Berlin in 1927. Stern is best known as half of Foto Ringl + Pit, the innovative advertising and design studio she founded in Berlin in 1929 with her fellow Bauhaus alumna Ellen Auerbach.

In 1932 Stern met fellow photographer Horacio Coppola at the Bauhaus. In 1933 they emigrated to London where they married. Two years later in 1935 they settled in Coppola’s native Argentina. Two months after arriving they presented what the magazine Sur called

“the first serious exhibition of photographic art in Buenos Aires”

The exhibition comprised work produced in Germany and London. For a while Stern and Coppola tried operating a studio in Buenos Aires. It didn´t work out and the couple divorced in 1943. After a brief return to England, Stern settled in Argentina to raise a family, her daughter Silvia and her son Andrés.

Among Stern’s most significant accomplishments are her Dreams (Sueños). In 1948 Stern started illustrating women´s dreams for a women’s magazine column titled “El psicoanálisis le ayudará” (“Psychoanalysis will help you”). Over the course of three years Stern created 140 witty photomontages, where she portrayed women’s oppression and submission in Argentine society with sarcastic and surreal images. The photomontage was an ideal way for Stern to express her ideas about the dominant values.

She became a citizen of Argentina in 1958.

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Grete Stern, Dream No. 43: Untitled,  1949 via

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Ringl + Pit, Hat and Gloves, 1930 via

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Grete Stern, Dream via

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 Grete Stern, Dream No. 20: Perspective via

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Grete Stern, Dream No. 46: Estrangement via

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Grete Stern, Dream No. 44: The Accused via

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Grete Stern, Dream No. 13: Consent via

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Grete Stern, Dream No. 41: The Phone Call via

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Grete Stern, Dream via

Amazing Vintage Surreal Glamour by photographer Angus McBean

Angus McBean (8 June 1904 – 9 June 1990) was a Welsh photographer, set designer and cult figure associated with surrealism.

Two figures have prevented McBean from gaining more fame: Cecil Beaton (thanks to his lavish lifestyle and work for Vogue and the British Royal Family); and David Bailey, who much later (1960s) was close to Cecil Beaton both personally and in terms of style.

McBean did not enjoy this level of fame either in his life or after death, even though he was arguably the better technically and artistically.

Additionally McBean’s focus on the world of theatre (particularly London’s West End) did not give him international recognition.

In 2007, seven original colour transparencies (slides) of his photographs for the Beatles album cover Please Please Me by McBean were accidentally thrown in the bin at the headquarters of EMI.

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Marlene Dietrich, “No Highway in the Sky” by Angus Mcbean Pinewood Studios, 1951 via

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Audrey Hepburn by Angus Mcbean via

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Vivien Leigh as Aurora by Angus McBean, 1938 via

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 Hermione Baddeley by Angus McBean, 1938 Gelatin via

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Marika Rivera by Angus Mcbean via

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Dorothy Dickson by Angus Mcbean, 1938 via fotographiaonline.com via

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Beatrice Lillie by Angus McBean, 1940s via

Beautiful Vintage Photos From “Shocking – The Art & Fashion of Elsa Schiaparelli”

The now scarce and out of print book “Shocking Schiaparelli” features beautiful images by the surrealist inspired fashion designer Elsa Schiaparelli – one of the most influential designers of the 1930s & 1940s.

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Photo from “Shocking – The Art & Fashion of Elsa Schiaparelli” via

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Photo from “Shocking – The Art & Fashion of Elsa Schiaparelli” via

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Photo from “Shocking – The Art & Fashion of Elsa Schiaparelli” via

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Photo from “Shocking – The Art & Fashion of Elsa Schiaparelli” via

Peggy Guggenheim in Paris by Rogi André (ca. 1930)

Peggy Guggenheim (1898 – 1979) was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who would establish the Solomon R. Guggenheim Foundation.

Peggy Guggenheim created a noted art collection in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it and, in 1949, settled in Venice, where she lived and exhibited her collection for the rest of her life. The Peggy Guggenheim Collection is a modern art museum on the Grand Canal in Venice, Italy, and is one of the most visited attractions in Venice.

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Peggy Guggenheim in Paris by André Rogi, ca. 1930 via

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Peggy Guggenheim in Paris by André Rogi, ca. 1930 via

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Peggy Guggenheim in Paris by André Rogi, ca. 1930 via

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Peggy Guggenheim in Paris by André Rogi, ca. 1930 via

 

Beautiful Vintage Photos of Rosa Rolanda by Man Ray

Californian born Rosa Rolanda (1895-1970, aka Rosemonde Cowan, Rose Rolando, Mrs or Miguel Covarrubias) was a multidisciplinary artist, dancer and choreographer.

In 1916, Rosa Rolanda began her artistic career in New York as a celebrated dancer in Broadway revues. She became involved with the Mexican artist Miguel Covarrubias in 1924, and in the following year the couple traveled to Mexico, where Rolanda began to take photographs.

During the late 1920s or early 1930s, Rolanda experimented with photograms, creating significant series of surrealist self-portraits that may have been influenced by Man Ray, who photographed Rolanda in Paris in 1923.

She probably began painting around 1926. The majority of Rolanda’s canvases depict colorful, folkloric scenes of children and festivals, portraits of friends such as the movie actresses Dolores del Río and María Félix, and self-portraits.

Rolanda and Covarrubias married in 1930, and by 1935 they had permanently settled into his family home in Tizapan El Alto, close to Mexico City.

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Rosa Rolanda by Man Ray, 1928 via

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Rosa Rolanda in Paris c. 1923, photograph by Man Ray via

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Rosa Rolanda by Man Ray 1923 via

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Rosa Rolanda in Paris circa 1923 by Man Ray via