Iconic 1960s Model Jean Shrimpton in New York by David Bailey (1962)

Jean Shrimpton’s (1942) was a fashion model and icon of Swinging London. Her  career rose to prominence through her work with photographer David Bailey.

Of Jean Shrimpton, Bailey said:

She was magic and the camera loved her too. In a way she was the cheapest model in the world – you only needed to shoot half a roll of film and then you had it. She had the knack of having her hand in the right place, she knew where the light was, she was just a natural.

Shrimpton’s first photo session with Bailey was in 1960 (either for Condé Nast’s Brides on 7 December 1960 or for British Vogue). She started to become known in the modelling world around the time she was working with Bailey.

Shrimpton has stated she owed Bailey her career, and he is often credited for discovering her and being influential in her career.

In turn, she was Bailey’s muse, and his photographs of her helped him rise to prominence in his early career.

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David Bailey, Jean Shrimpton, New York, 1962

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David Bailey, Jean Shrimpton, New York, 1962 via

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David Bailey, Jean Shrimpton, New York, 1962 via

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David Bailey, Jean Shrimpton, New York, 1962 via

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David Bailey, Jean Shrimpton, New York, 1962 via

Helmut Newton “Model in Venice” (1966)

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Model in Venice’ is taken in a rare location for Newton: Venice. While its romanticism was a source of great inspiration for Newton, he only shot in the city on a handful of occasions, here for Queen Magazine in 1966 with clothes by Femme 90- an avant-garde designer at the time. Venice appealed to Newton for its water and elegance of the vaporetto. Here, the model’s clothing sprays in the wind, leaving her enigmatically anonymous via

Dovima and the Leopard by Richard Avedon (1950)

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Richard Avedon, Dovima wearing a Leopard fur coat by Bernham-Stein, 1950 via

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Richard Avedon, Dovima, Harper’s Bazaar, 1950 via

Stylish Bettina In Fath: Photos by Willy Maywald (1950s)

German photographer Wilhelm (Willy) Maywald (1907 – 1985) photographed for various fashion designers and his images were recognized internationally.

Maywald was known for photographing in unique scenes. He was one of the first fashion photographers to photograph his subjects in the streets of Paris. He had a way of photographing his subjects in these various places but the image still focused on the model/clothing. Although Maywald was the main photographer for Dior, he also photographed for several other fashion designers at the time, such as Jacques Fath.

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Bettina Graziani wearring Jacques Fath, photographed by Willy Maywald, 1950 via

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Bettina Graziani wearring Jacques Fath, photographed by Willy Maywald, 1950 via

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Bettina Graziani wearring Jacques Fath, photographed by Willy Maywald, 1950 via

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Bettina Graziani wearring Jacques Fath, photographed by Willy Maywald, 1950 via

Beautiful Vintage Portraits of Gloria Vanderbilt by Richard Avedon (1950s)

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Gloria Vanderbilt by Richard Avedon, 1953 via

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Gloria Vanderbilt in Mainbocher Dress, photographed by Richard Avedon for Harper’s Bazaar, 1955 via

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Gloria Vanderbilt by Richard Avedon for Harper’s Bazaar, 1955 via

1950s Supermodel Bettina in Jacques Fath

Simone Micheline Bodin (1925-2015), known professionally as Bettina or Bettina Graziani, became one of the century’s first supermodels, rivalled in the forties only by the “English beauty” Barbara Goalen. Before becoming a model she was described as:

“…a freckle-faced rail worker’s daughter from Brittany”

She was renamed and recreated by Jacques Fath, who told her:

“We already have a Simone; you look to me like a Bettina”

Bettina was invited by Christian Dior to join his fashion house which she refused, choosing instead to work for Fath.

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Jacques Fath in studio with Bettina Graziani, 1950 via

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Bettina Graziani in Jacques Fath Dress, 1949 via

Amazing Double Images of Suzy Parker by Gjon Mili (1948)

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Gjon Mili, double image of Suzy Parker modelling skirt, jacket & hat in fabric printed to look like ocelot, New York, 1948  via

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Gjon Mili, double image of Suzy Parker modelling skirt, jacket & hat in fabric printed to look like ocelot, New York, 1948 via