Wonderful Edwardian Hand-coloured Postcards of Gabrielle Ray

Gabrielle Ray (1883 – 1973), was an English stage actress, dancer and singer, best known for her roles in Edwardian musical comedies.

NPG x198003; Gabrielle Ray by Bassano Ltd, published by  Aristophot Co Ltd

Gabrielle Ray by Bassano Ltd, published by Aristophot Co Ltd
hand-coloured postcard print, 1900s.

© National Portrait Gallery, London via

NPG x198011; Gabrielle Ray by Bassano Ltd, published by  Aristophot Co Ltd

Gabrielle Ray by Bassano Ltd, published by Aristophot Co Ltd
hand-coloured postcard print, 1900s

© National Portrait Gallery, London via

NPG x160555; Gabrielle Ray published by Davidson Brothers

Gabrielle Ray by The Biograph Studio, published by Davidson Brothers
hand-coloured bromide postcard print, circa 1903

© National Portrait Gallery, London via

NPG x196335; Gabrielle Ray by W. & D. Downey, published by  The Philco Publishing Co

Gabrielle Ray by W. & D. Downey, published by The Philco Publishing Co
hand-coloured bromide postcard print with glitter and sequins, circa 1905

© National Portrait Gallery, London via

NPG x196336; Gabrielle Ray by W. & D. Downey, published by  The Philco Publishing Co

Gabrielle Ray by W. & D. Downey, published by The Philco Publishing Co
hand-coloured bromide postcard print, 1905

© National Portrait Gallery, London via

NPG x22002; Gabrielle Ray published by Davidson Brothers

Gabrielle Ray published by Davidson Brothers
hand-coloured postcard print, circa 1905

© National Portrait Gallery, London via

Gabrielle Ray as Frou Frou in The Merry Widow (1907)

In the first decade of the 20th century, Gabrielle Ray (1883 – 1973) had a good career in musical theatre, she was considered one of the most beautiful actresses on the London stage, and became one of the most photographed women in the world.

In 1907, Ray played Frou Frou in The Merry Widow, which became a sensation. The operetta starred Lily Elsie, Joseph Coyne and Robert Evett, with costumes by Lucile. It ran for 778 performances in London and toured extensively in Great Britain.

Ray’s dance number, complete with handstands and high kicks, all performed on a table at Maxim’s held head high by four men, was a show stopper.

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Gabrielle Ray as “Frou Frou” in “The Merry Widow” 1907. Costumes by Lucile via

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Gabrielle Ray as “Frou Frou” in “The Merry Widow” 1907. Costumes by Lucile via

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Gabrielle Ray as “Frou Frou” and mr. W. Berry in “The Merry Widow” 1907. Costumes by Lucile via

Edwardian Actress Gabrielle Ray by Bassano (1900s)

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Gabrielle Ray by Bassano Ltd, published by Rotary Photographic Co Ltd
bromide postcard print, 1900s. © National Portrait Gallery, London via

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Gabrielle Ray by Bassano Ltd, published by Rotary Photographic Co Ltd
bromide postcard print, 1900s. © National Portrait Gallery, London via

Superb Vintage Photos of Beautiful Edwardian Era Hairstyles

Edwardian hairstyles were largely dictated by the millinery trade. The hairstyles had a soft, fluffy and loose fluidity about them. Hair was dressed off the face, with the exception of a fringe, and hairstyles rarely had a parting.

The defining Edwardian hairstyle for women was the pompadour. After the Pompadour´s initial popularity among fashionable women in the 18th century, it was revived as part of the Gibson Girl look in the 1890s and continued to be in vogue until World War I.

Other hairstyles were fx. the Low Pompadour (for everyday), Hat Pin Hairstyles (for the late Edwardian Cartwheel hat), the Gibson Tuck, the Side-Swirl (the style allowed women to easier wear the picture hats), the bouffant and the chignon. Usually the full Pompadour hairstyle was kept for special occasions. In the early part of the Edwardian era it was accompanied by the “picture” hat; hats that were worn high on the head and heavily decorated with fabric, feathers or imitation flowers or fruit.

The  Pompadour hairstyle could be dressed in all manner of styles, but the basic concept is hair swept upwards from the face and worn high over the forehead, and sometimes upswept around the sides and back as well. The style could feature soft coils and fuzzy curled fringes. It could be decorated with a bun, chignon or knot, depending on what was in vogue at the time and the occasion. Chignons tended to sit low on the nape, or at the back of the head. A bun could also be situated on the crown. A knot is hair that is twisted to form a rope, and then coiled to form a shape. The different shapes had names, for example the Apollo Kno, the Psyche Knot and the Grecian Knot. A topknot sits high on the head.

Evelyn Nesbit, who posed for illustrator Charles Dana Gibson, and became known as the first “Gibson Girl.” Gibson’s drawings of women represented the feminin ideal of the time via

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The Soft Pompadour and Psyche Knot. From Girls Own Paper and Woman’s magazine, 1911 via

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Gibson Girls with Pompadour hair via

After the Victorian era hair got bigger and bigger via

Actress Gabrielle Ray´s hairstyle fits her large decorated hat, 1906 via

Edwardian lady with big frizzy hair via

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Miss Ethel Oliver with big Edwardian hair via

Nancy Astor, 1908. beautiful portrait.

Nancy Astor with a knot, 1908 via