The First Modern Fashion Photography Shoot: Paul Poiret by Edward Stechein (1911)

In 1911, publisher Lucien Vogel dared photographer Edward Steichen to promote fashion as a fine art in his work. Steichen responded by snapping photos of gowns designed by leading French fashion designer Paul Poiret, hauntingly backlit and shot at inventive angles.

The photographs were published in the April 1911 issue of the magazine Art et Décoration. According to historian Jesse Alexander, the occasion is:

“now considered to be the first ever modern fashion photography shoot,”

The garments were imaged as much for their artistic quality as their formal appearance

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Edward Steichen, L’Art de la Robe by Paul Poiret in Art et Décoration, 1911 via

Early 20th Century Fashion & Design by Paul Poiret (1879–1944)

Paul Poiret (1879 – 1944) became a legendary French Couturier. His contributions to twentieth-century fashion have been likened to Picasso’s contributions to twentieth-century art. Poiret dominated Belle Epoque fashion and reshaped women’s silhouettes by liberating them from constricting corsets and popularising the high waist. From abolishing the corset he went further with hobble skirts, “harem” pantaloons, and “lampshade” tunics, using the fabulous soirées he threw in his garden to promote such whimsies. His most famous soirée was The Thousand and Second Night party he threw in 1911. Unfortunately post war Europe and the public were not akin or sympathetic to Poiret’s style and he closed his house, heavy in debt, in 1929.

He was employed at the house of Worth but did not continue there for long. On the 1st September, 1904 he opened his own establishment at 5 Rue Auber. Between 1904-1924 he irrevocably changed the feminine form with his new fashion designs.  Poiret’s major contribution to fashion was his development of an approach to dressmaking centered on draping, a radical departure from the tailoring and pattern-making of the past. He dismissed the use of corsets, he eliminated layered petticoats, was influenced by orientalism and he introduced the first modern straight lined dress. He also was the first designer to commercialise his own perfumes, launching a now standard marketing concept. He is also quoted to have said:

“My wife is the inspiration for all my creations; she is the expression of all my ideals.”

His wife, Denise, was his muse, creative director of the fashion house, and his favorite model. However, they divorced less than amicably in 1928 (Time reported: “M. Poiret charged that his wife’s attitude was injurious; Mme Poiret counter charged that her husband was cruel”).

Denise, Mme. Poiret

Paul Poiret Studio, 1910’s

Paul Poiret’s studio

Paul Poiret’s costume party

Paul Poiret, 1925

Paul Poiret, “Amphitrite” Cape, textile designe by Raoul Dufy, 1926

Paul Poiret, 1927

Jazz Age Pyjamas (1920s)

 Pyjama d’Edward Molyneux” très tendance” ed.gettyimage via

Pyjama de harem exotic, Paul Poiret 1922.” Très tendance” ed.gettyimage via