Glamour Portraits of Stage Actress Ellen Baxone by Reutlinger (1905)

Ellen Baxone was an actress, who was living in Paris at the beginning of the twentieth century.

She is known for her role in the humorous short film about the world of cinema C’est pour les orphelins (1916)

In 1907 she starred alongside Alice de Tender in the play Imbroglio Princier at La Scala in Paris.

In addition to portraits by Reutlinger, she is also known for a postcard portrait designed by Gustave Brisgand.

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Belle Epoque Stage Actress, Miss Ellen Baxone, Covered in Silk. French Photo Postcard by Reutlinger, 1905 via

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Belle Epoque Stage Actress, Miss Ellen Baxone, Covered in Silk. French Photo Postcard by Reutlinger, 1905 via

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Belle Epoque Stage Actress, Miss Ellen Baxone, Covered in Silk. French Photo Postcard by Reutlinger, 1905 via

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Belle Epoque Stage Actress, Miss Ellen Baxone, Covered in Silk. French Photo Postcard by Reutlinger, 1905 via

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Belle Epoque Stage Actress, Miss Ellen Baxone, Covered in Silk. French Photo Postcard by Reutlinger, 1905 via

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Faboulus Photos of Vintage Snake Charmers

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Vintage snake charmer via

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Famous belle epoque snake charmer Madiah Surith via

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Mademoiselle Héro as Snake Charmer, 1900s via

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Vintage snake charmer, Lyon, France via

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Vintage snake charmer, 1920s via

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Man Ray, Miss Dorita, Snake Charmer, 1930 via
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Vintage Circus snake act, ca. 1920s via

Sarah Bernhardt as Doña Maria de Neubourg, Queen of Spain in Ruy Blas by Victor Hugo (1878)

Ruy Blas is a tragic drama by Victor Hugo. The scene is Madrid; the time 1699, during the reign of Charles II. Ruy Blas, an indentured commoner (and a poet), dares to love the Queen, Maria de Neubourg. The story centers around a practical joke played on the queen, by Don Salluste de Bazan, in revenge for being scorned by her.

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Sarah Bernhardt as Queen Maria in Ruy Blas by Victor Hugo

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Sarah Bernhardt as Queen Maria in Ruy Blas by Victor Hugo

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Sarah Bernhardt as Queen Maria in Ruy Blas by Victor Hugo

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Parisian Postcards of Mata Hari by Lucien Waléry (1906)

Lucien Waléry lived and worked in Paris in the period 1900-1930. He photographed an extraordinary number of beautiful women from most of the particular risque dance revues, a.o. Mata Hari and Josephine Baker.

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Postcard of Mata Hari in Paris by Lucien Waléry, 1906

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Postcard of Mata Hari in Paris by Lucien Waléry, 1906

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Postcard of Mata Hari in Paris by Lucien Waléry, 1906

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Wonderful Belle Epoque Photos of Liane de Pougy (1869 – 1950)

Liane de Pougy (1869 – 1950), was a Folies Bergère dancer renowned as one of Paris’s most beautiful and notorious courtesans.

She was born in La Flèche and raised in a nunnery. At the age of 16, she ran off with a naval officer, marrying because she was pregnant. He turned out to be a brute and the marriage ended. Hence,  she began dabbling in acting and prostitution and it is now known that she was a heavy user of both cocaine and opium.

She began her career as a courtesan with the Countess Valtesse de la Bigne.

After moving to Paris, from her position at the Folies she became a noted demimondaine, and a rival of “La Belle Otero”. She took her last name from one of her paramours, a Comte or Vicomte de Pougy.

Upon her marriage to Prince Georges Ghika on June 8, 1910 she became Princess Ghika; this marriage ended in separation, though not divorce. Her son’s death as an aviator in World War I turned her towards religion and she became a tertiary of the Order of Saint Dominic as Sister Anne-Mary. She became involved in the Asylum of Saint Agnes, devoted to the care of children with birth defects. She died at Lausanne, Switzerland

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Liane de Pougy, 1900’s

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Paul Nadar, Liane de Pougy, 19th century

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Liane de Pougy, 19th century

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Nadar, Liane de Pougy, 1900’s

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Beautiful Belle Epoque Photos of Marcelle Lender

Marcelle Lender (1862 – 1926) was a French singer, dancer and entertainer made famous in paintings by Henri de Toulouse-Lautrec.

Born Anne-Marie Marcelle Bastien, she began dancing at the age of sixteen and within a few years made a name for herself performing at the Théâtre des Variétés in Montmartre.

Marcelle Lender appears in several works by Lautrec but the most notable is the one of her dancing the Bolero during her February 1895 performance in the Hervé operetta Chilpéric. Lautrec’s portrait of her in full costume, her flame-red hair accentuated by two red poppies worn like plumes, boosted Lender’s popularity considerably after it appeared in a Paris magazine. The painting was eventually sold to a collector from the United States, and on her death in 1998 the painting’s then owner, American Betsey Cushing Whitney, donated it to the National Gallery of Art in Washington, D.C.

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Marcelle Lender, 1900s french postcard by Reutlinger

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Marcelle Lender

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Marcelle Lender

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Mlle Marcelle Lender. Robe de bal par Doucet.

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Marcelle Lender

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Amazing Photos of The Salomé Dancer: Maud Allan

Canadian pianist-turned-actor, dancer and choreographer Maud Allan (1873 – 1956) was born as Beulah Maude Durrant. She spent her early years in San Francisco, California, moving to Germany in 1895 to study piano at the Hochschule für Musik in Berlin. She changed her name in part by the scandal surrounding her brother Theodore Durrant, who was hanged in 1898 for murder. Allan never recuperated from the trauma of this event. She abandoned piano-playing and developed a new means of self-expression through dance.

Shortly before she began dancing professionally Allan is said to have illustrated an encyclopedia for women titled Illustriertes Konversations-Lexikon der Frau.

In 1906 her production “Vision of Salomé” opened in Vienna. Based loosely on Oscar Wilde’s play ,Salomé, her version of the Dance of the Seven Veils became famous (and to some notorious) and she was billed as “The Salomé Dancer”. Her book My Life and Dancing was published in 1908 and that year she took England by storm in a tour in which she did 250 performances in less than one year.

Allan is remembered for her “famously impressionistic mood settings”. She was athletic, had great imagination and even designed  and sewed her own costumes. But she had little formal dance training. She was once compared to professional dancer and legend Isadora Duncan, which greatly enraged her, as she disliked Duncan.

Around 1918 Allan’s popularity began to take a turn. In a hope of earning back some of her public adoration she starred in a private performance of the ‘Vision of Salome’ and irked homophobic right-wing nationalist MP Noel Pemberton Billing. Mr Billing wanted Allan’s downfall as there was a rumor circulating that she had a lesbian affair with Margot Asquith, the wife of former prime minister Herbert Asquith. He believed that Allan and the Asquiths were all German spies; which he implied in an article. Allan sued Billing for criminal libel, but she lost the case.

Hence, from the 1920s on Allan taught dance and she lived with her secretary and lover, Verna Aldrich. She died in Los Angeles, California.

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Maud Allan ca. 1906

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Maud Allan as Salome c.1906

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Maud Allan as Salome c.1906

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Maud Allan as Salome c.1906

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Maud Allan 1913 by Bassano

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Maud Allan by Reutlinger 1909

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