American Dancer Jean Barry (1930s)

jeanb4

Dancer Jean Barry, ca. 1931. Photo by George Hoyningen-Huene via

jeanbarry

Dancer Jean Barry, performing in the play Evergreen, 1931. Photo by George Hoyningen-Huene via

jeanb2

Dancer Jean Barry, 1931. Photo by Edward Steichen via

Vintage Photos of Elegant Millinery by Madame Agnès

Madame Agnes (late 1800s-1949) was France’s most popular milliner. She designed hats that were popular from the late 1920s until the 1940s. She was famous for cutting the brims of her hats while they were worn by her customers. Her shop was located on the Rue Saint-Honoré.

She associated with people in the art circles of Paris and styled hats that were both abstract and unique. She preferred wearing only black fashions, fx. in 1929 she wore black satin frocks designed by Vionnet. Her clothes were embellished with bright jewelry like red coral, jade or lapis lazuli.

agnes1929

Madame Agnes

Madame Agnes in her shop in Paris, 1935.

Madame Agnes in her shop in Paris, 1935

steichen

Edward Steichen, Dorothy Smart, hat by Madame Agnès, 1926

Madame d’Ora- Madame Jean Lassalle portant des bijoux Jean Fouquet et un chapeau de Madame Agnès, mars 1929. http://fantomas-en-cavale.tumblr.com

Madame Jean Lassalle hat by Madame Agnès, Madame d’Ora, 1929

dora

Portrait of the milliner Agnès by Madame d’Ora, Paris, 1928-1931

Model in hat of bird of paradise feathers by Madame Agnès (milliner), spangled jacket by Maggy Rouff, photo by George Hoyningen-Huene, Harper’s Bazaar, 1935

Model in hat of bird of paradise feathers by Madame Agnès, spangled jacket by Maggy Rouff, photo by George Hoyningen-Huene, Harper’s Bazaar, 1935

A Collection of Photos Featuring Designs by Madame Grès (1930s)

Germaine Émilie Krebs (1903–1993), known as Alix Barton and later as “Madame Grès”, relaunched her design house under the name Grès in Paris in 1942. Prior to this, she worked as “Alix” or “Alix Grès” during the 1930s. Formally trained as a sculptress, she produced haute couture designs for an array of fashionable women, including the Duchess of Windsor, Marlene Dietrich, Greta Garbo, Jacqueline Kennedy, and Dolores del Río.

Her signature was cut-outs on gowns that made exposed skin part of the design, yet still had a classical, sophisticated feel. She was renowned for being the last of the haute couture houses to establish a ready-to-wear line, which she called a “prostitution”.

The name Grès was a partial anagram of her husband’s first name and alias. He was Serge Czerefkov, a Russian painter, who left her soon after the house’s creation. 

She retired at the end of the 1980s after French investor Bernard Tapie took control of the company. She died in a low-cost retirement home, apparently alone and penniless.

In 2012, the last Grès store in Paris was closed.

4799-7

Germaine Krebs (1903-1993) dite Alix puis Madame Grès, créant une robe du soir pour Macy’s. Paris, août 1933 via

Germaine Krebs (1903-1993) dite Alix puis Madame Grès, à l'époque de la maison Alix Barton, créant un modèle drapé sur un mannequin. Paris, 1933.

Madame Grès draping a dress, photographed by Boris Lipnitzki, ca. 1935 via

048-madame-gres-theredlist

Madame Grès, Dress, photographed by Eugène Rubin for Femina, 1937 via

 045-madame-gres-theredlist

Madame Grès by George Hoyningen-Huene, 1937 via