Costumes de Théâtre by Redfern (1908)

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Exposition à l’Hôtel des Modes. Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme, 1908 via

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Exposition à l’Hôtel des Modes. Photograph in Les Modes : Revue mensuelle illustrée des arts décoratifs appliqués à la femme , 1908 via

Famous Belle Epoque Actress Eve Lavallière Being Fashionable in “Les Modes”

Ève Lavallière was born at 8 rue Champ-de-Mars in Toulon. Her birth was not desired, and she was placed, up to school age, with a local family of peasants. At school age, however, she was enrolled by her parents in a private school of excellent reputation. After the death of her parents in tragic circumstances, and after running away from home. she arrived, as a teenager, in Paris. She became an actress renowned in the Belle Époque, including the Théâtre des Variétés in Paris.

Later she became a noteworthy Catholic penitent and member of the Secular Franciscan Order.

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Eve Lavallière dressed in Jenny. Les Modes, May 1914 via

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Eve Lavallière in Les Modes, 1902 (dresses for the comedy Les Deux Ecoles) via

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Eve Lavallière in Les Modes, 1902 (dresses for the comedy Les Deux Ecoles) via

Silhouettes Parisiennes, Wonderful Belle Epoque Fashion Images by Freres Neurdein (ca. 1910s)

The brothers Neurdein, Etienne and Louis, had a studio in Paris from 1863 until just before the outbreak of WWI. Etienne Neurdein stayed primarily in Paris, producing local projects, portraits in the studio, and photographing art entries at the Salon de Paris from which many lovely postcards were produced, while his brother Louis traveled widely, spending much of his time in Algeria. Silhouettes Parisiennes was probably produced by Etienne Neurdein.

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Silhouettes Parisiennes by Freres Neurdein, circa 1910s via

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Silhouettes Parisiennes by Freres Neurdein, circa 1910s via

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Silhouettes Parisiennes by Freres Neurdein, circa 1910s via

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Silhouettes Parisiennes by Freres Neurdein, circa 1910s via

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Silhouettes Parisiennes by Freres Neurdein, circa 1910s via

Late Victorian Fancy Dress: The Devonshire House Ball in 1897

The Devonshire House Costume Ball of 1897 was one of the most anticipated social events of 1897. To stress the importance of th magnificent affair, the London Photographic Firm Lafayette was invited to take studio-style photographs of the guests in their costumes, which ranged from mythical goddesses, figures from paintings, and historical kings and queens.

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The Duke of York, later King George V (1865-1936), as “The Queen’s Champion” and the Duchess of York, later Queen Mary (1867-1953)  as “a Lady at the Court of Marguerite de Valois” at the Devonshire House Fancy Dress Ball 1897.

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Frances Evelyn (Daisy), the countess of Warwick, chose Marie Antoinette as her costume for the elegant and highly anticipated evening. The costume, made by Worth of Paris, was studded with real diamonds and used both gold and antique lace.

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Lady Randolph Churchill (1854-1921), née Jennie Jerome in a Worth Parisian Costume, as Empress Theodora, while attending the Devonshire House Ball, in 1897.

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Consuelo Marlborough (née Vanderbilt), dressed for the Devonshire House Ball in 1897.

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Mary Teresa (‘Daisy’) (Cornwallis-West), Princess of Pless dressed as Queen of Sheba for the Devonshire House Ball

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Miss Goelet as Scheherazade

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The ethereal beauty of Mrs J Graham Menzies in the role of Titania, Queen of the Fairies

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Fashion at Longchamp 1912 by Seeberger Frères

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Seeberger Frères (Jules Louis, Henri) – Fashion at the Longchamp Racetrack, France (1912)

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Seeberger Frères (Jules Louis, Henri) – Fashion at the Longchamp Racetrack, France (1912)

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Seeberger Frères (Jules Louis, Henri) – Fashion at the Longchamp Racetrack, France (1912)

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Superb Vintage Photos of Beautiful Edwardian Era Hairstyles

Edwardian hairstyles were largely dictated by the millinery trade. The hairstyles had a soft, fluffy and loose fluidity about them. Hair was dressed off the face, with the exception of a fringe, and hairstyles rarely had a parting.

The defining Edwardian hairstyle for women was the pompadour. After the Pompadour´s initial popularity among fashionable women in the 18th century, it was revived as part of the Gibson Girl look in the 1890s and continued to be in vogue until World War I.

Other hairstyles were fx. the Low Pompadour (for everyday), Hat Pin Hairstyles (for the late Edwardian Cartwheel hat), the Gibson Tuck, the Side-Swirl (the style allowed women to easier wear the picture hats), the bouffant and the chignon. Usually the full Pompadour hairstyle was kept for special occasions. In the early part of the Edwardian era it was accompanied by the “picture” hat; hats that were worn high on the head and heavily decorated with fabric, feathers or imitation flowers or fruit.

The  Pompadour hairstyle could be dressed in all manner of styles, but the basic concept is hair swept upwards from the face and worn high over the forehead, and sometimes upswept around the sides and back as well. The style could feature soft coils and fuzzy curled fringes. It could be decorated with a bun, chignon or knot, depending on what was in vogue at the time and the occasion. Chignons tended to sit low on the nape, or at the back of the head. A bun could also be situated on the crown. A knot is hair that is twisted to form a rope, and then coiled to form a shape. The different shapes had names, for example the Apollo Kno, the Psyche Knot and the Grecian Knot. A topknot sits high on the head.

Evelyn Nesbit, who posed for illustrator Charles Dana Gibson, and became known as the first “Gibson Girl.”

Gibson’s drawings of women represented the feminin ideal of the time.

via Flickr.

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The Soft Pompadour and Psyche Knot.
From Girls Own Paper and Woman’s magazine, 1911 via tumblr

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Gibson Girls with Pompadour hair via Tumblr

After the Victorian era hair got bigger and bigger via DeviantArt

Actress Gabrielle Ray´s hairstyle fits her large decorated hat 1906 via Flickr

Edwardian lady with big frizzy hair via Deviantart

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Miss Ethel Oliver with big Edwardian hair via Flickr

Lily Elsie (Mrs Bullough), by Bassano Ltd, circa 1905 - NPG x15360 - © National Portrait Gallery, London

Miss Lily Elsie by Bassano via Npg.

Nancy Astor, 1908. beautiful portrait.

Nancy Astor with a knot, 1908 via Blogspot

Victorian/Edwardian model with a bun via Shorpy

The Most Brilliant Victorian Wedding Gowns

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 Queen Victoria married Prince Albert in 1840; this is a middle aged Victoria and Albert who recreate their wedding day. Queen Victoria chose to marry in a white silk satin gown featuring Honiton lace, an unusual color choice for bridal gowns at the time; she started the white wedding gown tradition that remains today.

1858 photo of Princess Royal Victoria's wedding dress. She was the oldest daughter of Queen Victoria.

1858 photo of princess royal victorias wedding dress. She was the oldest daughter of queen Victoria. She married Frederick, Crown Prince of Germany and Prussia later Frederick III, German Emperor and King of Prussia (1831–1888); 4 sons, 4 daughters (including Wilhelm II, German Emperor and King of Prussia and Sophia, Queen of Greece)

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1863 Princess Alexandra Of Denmark, later Queen of the United Kingdom and Empress of India as the wife of King-Emperor Edward VII.

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Princess Louise (1848-1939) in her wedding dress. Married 1871, John Douglas Sutherland Campbell (1845–1914), Marquess of Lorne, later 9th Duke of Argyll.

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Princess Helena (1846-1923) in her wedding dress. Married 1866, Prince Christian of Schleswig-Holstein (1831–1917); 4 sons (1 still-born), 2 daughters.

Princess Beatrice

1885 Princess Beatrice, the fifth daughter and youngest child of Queen Victoria and Prince Albert. Married 1885, Prince Henry of Battenberg (1858–1896); 3 sons, 1 daughter (Victoria Eugenie, Queen of Spain).

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Victoria of Baden. She married in Karlsruhe on 20 September 1881 Crown Prince Gustaf of Sweden and Norway, the son of King Oscar II of Sweden and Norway and Sofia of Nassau.

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Annie Chinery. The daughter of Dr Edward Chinery from Lymington, married the photographer Julia Cameron’s son Ewen in 1869

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Bride from the 1850s

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Bride getting dressed, 1890s