Eugene Robert Richee, Clara Bow Fine Art Print, 1927 via
Eugene Robert Richee, Clara Bow Fine Art Print, 1927 via
Eugene Robert Richee, Clara Bow Fine Art Print, 1927 via
Category Archives: Eugene Robert Richee
Veronica Lake by Eugene Robert Richee (1941)
Famous Flappers of the Roaring Twenties
Flappers were a “new breed” of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles, and otherwise flouting social and sexual norms.
Flappers had their origins in the liberal period of the Roaring Twenties, the social, political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.
Zelda Fitzgerald was an American socialite and novelist, and the wife of American author F. Scott Fitzgerald, who dubbed her “the first American Flapper”. She and Scott became the emblem of the Jazz Age, for which they are still celebrated via
Clara Bow epitomized the Roaring Twenties’ flapper. At only 25, she retired exhausted by repeated scandals about her presumed sexual life. Photo: Bow in a shiny strapless dress by Eugene Robert Richee, 1926 via
Coleen Moore was Bow´s “chief rival”. After Bow took the stage Moore gradually lost her momentum. In spring 1924 she made a good, but unsuccessful effort to top Bow in The Perfect Flapper, and soon after she dismissed the whole flapper vogue. Photo: Coleen Moore in “Why Be Good?”, 1929 via
Louise Brooks 1920. She was an American dancer and actress noted as an iconic symbol of the flapper, and for popularizing the bobbed haircut via
Gilda Gray, 1924. She was an American actress and dancer who popularized a dance called the “shimmy” which became fashionable in 1920s films and theater productions via
Tallulah Brockman, 1922. Bankhead was an American actress of the stage and screen, and a reputed libertine britannica.com
Anita Loos was an American screenwriter, playwright and author, best known for her blockbuster comic novel, Gentlemen Prefer Blondes first published in 1925. It was one of several famous novels published that year that chronicled the so-called Jazz Age – including Fitzgerald’s The Great Gatsby. Photo: Loos, on page 12 of the April 1922 Photoplay via
Glamorous Clara Bow by Eugene Robert Richee (1920s)
Clara Bow by Eugene Robert Richee, 1920s via
Clara Bow by Eugene Robert Richee, 1920s via
Clara Bow by Eugene Robert Richee, 1920s via
Clara Bow by Eugene Robert Richee, 1920s via
Clara Bow by Eugene Robert Richee, 1920s via
Clara Bow by Eugene Robert Richee, 1920s via
Clara Bow by Eugene Robert Richee, 1920s via
Louise Brooks by Eugene Robert Richee (1920s)
Eugene Robert Richee (b. 1896) began his career in the silent movie era. He got his job at Paramount in the late teens through his friend Clarence Sinclair Bull.
He started shooting stars while Donald Biddle Keyes was taking portraits in the gallery. When Keyes left Paramount, Richee took over, and for two decades he photographed the studio’s stars including Gloria Swanson, Rudolph Valentino, Claudette Colbert, Fredrick March, the Marx Brothers and Carole Lombard. Lombard so admired his work with Dietrich that she started posing in some of the same ways to get that ‘glamour mysterious’ look.
From 1925 to 1935 Richee took many photographs of Louise Brooks. Perhaps Richee’s most famous work is a 1928 portrait of Louise Brooks wearing a long string of pearls. Few photos capture better the zeitgeist of the Roaring ’20s. Simplicity is the hallmark of this photograph, along with masterful composition. Brooks stands, face in profile and wearing a long-sleeved black dress, against a black background, her face hands and pearls along illuminated. Her bob, with its razor-sharp line across the white skin of her jaw, was widely copied and became one of the last century’s most potent fashion statements.
Brook’s career had intermittent highs and lows, but she was one of Hollywood’s great portrait subjects and was never better served than by Richee (source).
Louise Brooks by Eugene Robert Richee, 1928 via
Louise Brooks by Eugene Robert Richee, 1928 via
Louise Brooks portrait by Eugene Robert Richee via
Portrait of Louise Brooks by Eugene Robert Richee, 1920s via
Portrait of Louise Brooks for The Canary Murder Case directed by Malcolm St. Clair and Frank Tuttle. Photo by Eugene Robert Richee, 1929 via
Portrait of Louise Brooks for The Canary Murder Case directed by Malcolm St. Clair and Frank Tuttle. Photo by Eugene Robert Richee, 1929 via
Dorothy Lamour in “Disputed Passage” (1939)
, Dorothy Lamour in “Disputed Passage” directed by Frank Borzage, 1939 via
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