On The Beach: Dora Maar, Nusch Éluard, Pablo Picasso and Paul Éluard (1937)

Photograph of Dora Maar, Nusch ?luard, Pablo Picasso and Paul ?luard on the beach September 1937 by Eileen Agar 1899-1991

Dora Maar, Nusch Éluard, Pablo Picasso and Paul Éluard on the beach by Eileen Agar, September 1937 via

Photograph of Dora Maar and Pablo Picasso on the beach September 1937 by Eileen Agar 1899-1991

Dora Maar, Nusch Éluard, Pablo Picasso and Paul Éluard on the beach by Eileen Agar, September 1937 via

Portraits of Surrealist Xenia Kashevaroff by Edward Weston (1931)

Xenia Kashevaroff (1913 – 1995) was an American painter, sculptor, bookbinder, conservator, and musician notable for her surrealist mobiles and artistic collaborations.

Her work has been described as on the “cutting edge of surrealism in sculpture” for her time. From 1935 to 1945, she was married to the musician and composer John Cage and performed in his percussion ensemble throughout their marriage.

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Xenia Kashevaroff by Edward Weston (1931) via

Xenia Kashevaroff

Xenia Kashevaroff by Edward Weston (1931) via

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Xenia Kashevaroff by Edward Weston (1931) via

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Xenia Kashevaroff by Edward Weston (1931) via

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Xenia Kashevaroff by Edward Weston (1931) via

Horseplay with Yayoi Kusama in Woodstock (1967)

Yayoi Kusama (born 1929) is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, soft sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition, and pattern. A precursor of the pop art, minimalist and feminist artmovements, Kusama influenced her contemporaries such as Andy Warhol, Claes Oldenburg, and George Segal and exhibited works alongside the likes of them.

In 1957, she moved to the United States, settling down in New York City where she produced a series of paintings influenced by the abstract expressionist movement. Switching to sculpture and installation as her primary media, Kusama became a fixture of the New York avant-garde during the early 1960s where she became associated with the pop art movement. Embracing the rise of the hippiecounterculture of the late 1960s,

Kusama came to public attention when she organized a series of happenings in which naked participants were painted with brightly colored polka dots.

Although largely forgotten after departing the New York art scene in the early 1970s, Kusama is now acknowledged as one of the most important living artists to come out of Japan, and an important voice of the avant-garde.

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Yayoi Kusama, Horse Play in Woodstock, 1967 via

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Yayoi Kusama, Horse Play in Woodstock, 1967 via

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Yayoi Kusama, Horse Play in Woodstock, 1967 via