Photos Feat. Designs by Lucien Lelong

Lucien Lelong  (1889 – 1959) was born in Paris as the son of Arthur Lelong, the owner of a textile shop, he trained at the Hautes Etudes de Commerciales in Paris and opened his fashion house in the late 1910s. He was  eager to create garments that would highlight the body’s movements and elegance in motion: a kinetic fashion. He killed the 1920s “garçonne” look and privileged fluid garments inspired by neoclassical drapery, and later anticipated the New Look.

Lelong did not actually create the garments that bore his label. “He did not design himself, but worked through his designers,” wrote Christian Dior, who was a member of the Lelong team from 1941 until 1946, during which time he created the collections in collaboration with Pierre Balmain. “Nevertheless,” Dior continued, “in the course of his career as couturier his collections retained a style which was really his own and greatly resembled him.” Other designers who worked for Lelong included Nadine Robinson and Hubert de Givenchy.

Among Lelong’s clients were Marie Duhamel, Jeanne Ternisien (wife of the banker Georges Nelze), the Duchess de la Rochefoucauld, Greta Garbo, Gloria Swanson, Colette, and Rose Kennedy.

On the 10th August 1927 he married his second wife, Princess Natalie Paley (1905–1981), who had worked as a saleswoman in the Lelong perfume department. She was a daughter of Grand Duke Paul Alexandrovich of Russia and his morganatic wife, Olga Karnovich. Paley had starred in a few films, but found her succes being a Lelong model. They divorced in 1937.

Lelong retired in 1952, due to Poor health. Lelong’s third wife, who outlived him, went on to marry the French journalist Maurice Goudeket, the widower of Colette.

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Deutsch Photographic Studio, Lucien Lelong Design, 1930s via

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Marion Morehouse wearing a Lucien Lelong dress. Vogue, 1925 via

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Dress by Lucien Lelong via

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Nathalie Paley in a Lucien Lelong dress and evening coat by Dorvyne via

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Deutsch Photographic Studio, Lucien Lelong Design, 1930s via

Princess Nathalie Paley in Lucien Lelong by Man Ray, 1935

Princess Natalie Paley wearing a black sequined evening gown by Lelong. Photo by Man Ray, 1934 via

A Collection of Vintage Photos Feat. 1920s Wedding Dresses

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Ruth Schneider, 1924 via

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Bride from New York, 1920 via

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 Chanel wedding dress worn by Betty Garst, circa 1929 via

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Wedding The daughter of the Bolivian minister to France in a Patou-designed wedding gown, 1929 via

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Edwina Ehrman, c. 1926.  via

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Princess Anne of Orléans, Nov. 5, 1927 via

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Bride, 1920s via

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 Famous Silent Film Actress R Lya Marain Elaborate Bride Costume, 1920s via

 

Portraits of Hollywood Actresses by Albert Witzel (1920s)

Witzel Studios was founded in Los Angeles by photographer Albert Walter Witzel (1879–1929) in 1909 and within a few years had become one of the city’s foremost portrait studios.

The rise of the business paralleled the emergence of the film industry following its relocation from the east coast, and Witzel was soon in demand from Hollywood studios seeking to create interest in movies by circulating promo shots of their stars. Distinguished by moody lighting and dramatic poses and settings, Witzel’s photos soon set the tone for Hollywood studio photography and from the mid-1910s they featured frequently in fan magazines like Photoplay, becoming an important promotional and publicity tool.

Witzel occasionally worked on assignment for the big picture studios, photographing many silent film luminaries including Theda Bara and Charlie Chaplin (source).

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Portrait of American actress Clara Bow by American photographer Albert Witzel (1879-1929) via

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Portrait of American actress & showgirl Blanche Mehaffey Witzel, 1920s by Albert Witzel (1879-1929) via

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Portrait of Bebe Daniels by photographer Albert Witzel (1879-1929), 1920 via

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Portrait of American actress Natalie Kingston by Albert Witzel (1879-1929) via

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Portrait of American actress Melva Cornell by Albert Witzel (1879-1929), 1920s via

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Portrait of American actress Bessie Love by Albert Witzel (1879-1929), 1920 via

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Portrait of American actress Doris May by Albert Witzel (1879-1929) , 1920 via

Photographs of Paris by Pierre-Yves Petit aka ‘Yvon’ (1920)

Born in Bordeaux in 1886, Jean Pierre Yves Petit moved to the French capital as a young man; there he parlayed a childhood passion for photography into a job at the august culture magazine L’Illustration. Adopting the pen name Yvon (to avoid confusion with a popular portrait photographer named Pierre Petit), he published his first photo essay in 1919: “Ciels et Reflets de Paris” (“Skies and Reflections of Paris”), a series of six melancholy cityscapes in which overcast skies played a starring role (source).

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Background by by Pierre-Yves Petit (Yvon), 1920 via

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Gargoyles on Notre Dame by Pierre-Yves Petit (Yvon), 1920 via

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Scene from Paris by Pierre-Yves Petit (Yvon), 1920s via

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Scene from Paris by Pierre-Yves Petit (Yvon), 1920s via

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Scene from Paris by Pierre-Yves Petit (Yvon), 1920s via

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Le jardin du Palais Royal à Paris by Pierre-Yves Petit (Yvon), 1920 via