Anita Ekberg Inside St Peter’s dome in La Dolce Vita (1960)

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Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

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Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

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Marcello Mastroianni and Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

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Vintage Portraits of British Princesses by Cecil Beaton

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Princess Elizabeth by Cecil Beaton, Gelatin silver print, Buckingham Palace, March 1945. Museum no. E.1361-2010, © V&A Images via

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Princess Margaret by Cecil Beaton bromide print, 1950 20 3/4 in. x 15 7/8 in. (527 mm x 403 mm) Purchased, 1987 NPG P349 © V&A Images via

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Princess Marina, Duchess of Kent by Cecil Beaton bromide print on white card mount, 1939 9 7/8 in. x 8 in. (252 mm x 203 mm) Given by Cecil Beaton, 1968 NPG x21151 © V&A Images via

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Princess Alice, Duchess of Gloucester by Cecil Beaton bromide print on white card mount, 1961 8 3/4 in. x 5 7/8 in. (223 mm x 150 mm) Given by Cecil Beaton, 1968
NPG x35198 © V&A Images via

Henrietta Tiarks, the Duchess of Bedford, Wedding Day (1961)

Society beauty Henrietta Tiarks (b. 19 ) was a leading debutantes of her day.  She married the then Marquess of Tavistock, Robin Russell, on 20 June 1961 at St Clement Danes in London, thereby becoming the Marchioness of Tavistock.

He succeeded his father, becoming the 14th Duke of Bedford, on 25 October 2002, at which point Henrietta, became Duchess of Bedford.

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Henrietta Tiarks wedding Day (1961) via

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Henrietta Tiarks wedding Day (1961) via

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Henrietta Tiarks wedding Day (1961) via

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Henrietta Tiarks wedding Day (1961) via

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Henrietta Tiarks wedding Day (1961) via

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Henrietta Tiarks wedding Day (1961) via

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Henrietta Tiarks wedding Day (1961) via

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Henrietta Tiarks wedding Day (1961) via

Iconic 1960s Model Jean Shrimpton in New York by David Bailey (1962)

Jean Shrimpton’s (1942) was a fashion model and icon of Swinging London. Her  career rose to prominence through her work with photographer David Bailey.

Of Jean Shrimpton, Bailey said:

She was magic and the camera loved her too. In a way she was the cheapest model in the world – you only needed to shoot half a roll of film and then you had it. She had the knack of having her hand in the right place, she knew where the light was, she was just a natural.

Shrimpton’s first photo session with Bailey was in 1960 (either for Condé Nast’s Brides on 7 December 1960 or for British Vogue). She started to become known in the modelling world around the time she was working with Bailey.

Shrimpton has stated she owed Bailey her career, and he is often credited for discovering her and being influential in her career.

In turn, she was Bailey’s muse, and his photographs of her helped him rise to prominence in his early career.

 

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David Bailey, Jean Shrimpton, New York, 1962

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David Bailey, Jean Shrimpton, New York, 1962  via

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David Bailey, Jean Shrimpton, New York, 1962  via

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David Bailey, Jean Shrimpton, New York, 1962  via

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David Bailey, Jean Shrimpton, New York, 1962  via

Horseplay with Yayoi Kusama in Woodstock (1967)

Yayoi Kusama (born 1929) is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, soft sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition, and pattern. A precursor of the pop art, minimalist and feminist artmovements, Kusama influenced her contemporaries such as Andy Warhol, Claes Oldenburg, and George Segal and exhibited works alongside the likes of them.

In 1957, she moved to the United States, settling down in New York City where she produced a series of paintings influenced by the abstract expressionist movement. Switching to sculpture and installation as her primary media, Kusama became a fixture of the New York avant-garde during the early 1960s where she became associated with the pop art movement. Embracing the rise of the hippiecounterculture of the late 1960s,

Kusama came to public attention when she organized a series of happenings in which naked participants were painted with brightly colored polka dots.

Although largely forgotten after departing the New York art scene in the early 1970s, Kusama is now acknowledged as one of the most important living artists to come out of Japan, and an important voice of the avant-garde.

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Yayoi Kusama, Horse Play in Woodstock, 1967 via

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Yayoi Kusama, Horse Play in Woodstock, 1967 via

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Yayoi Kusama, Horse Play in Woodstock, 1967 via

Vintage French Millinery by Jean Barthet

Jean Barthet (1920–2000) was a French milliner who first rose to prominence in the 1950s as hat maker to Hollywood and French film stars, also designing hats for films such as The Young Girls of Rochefort.

He helped to define fashionable hat styles – including the bucket hat, pillbox hat and fedora – that predominated throughout the 1960s and collaborated with major couture houses.

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Jean Barthet, Hat, photographed by Henry Clarke, 1955 via

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Denise Sarrault in Jean Barthet Beret, photographed by Georges Saad, 1957 via

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Capucine in Jean Barthet, Hat, photographed by Willy Maywald, 1950s via

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Brigitte Bardot in Jean Barthet Hat, 1961 via