A Collection of Vintage Photos feat. Actress Ethel Warwick (1882-1951)

Ethel  Warwick (1882 – 1951) was the daughter of Frank and Maude, born in Hardingstone, Northampton. Her education began in Margate and Hampstead, but by the early 1890’s she was studying to become an artist at the London Polytechnic.

She became an artists model to help pay her tuition there, which led to her meeting Herbert Draper, who used her as a model for several of his paintings, including The Lament for Icarus. Through him she became a favoured model for several artists, including John William Godward, who painted several portraits of her, and Linley Sambourne, for whom she posed nude in a series of photographic studies. She was also sketched by James McNeill Whistler.

She began training as an actress at Henry Neville’s acting school in the late 1890’s, and first appeared on stage at the Grande Theatre in Fulham in July 1900 as Emilie de L’Esparre in The Corsican Brothers. She later appeared in several films.

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Ethel Warwick published by Rotary Photographic Co Ltd bromide postcard print, © National Portrait Gallery, London, circa 1906 via

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Ethel Warwick by Reautlinger via

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Ethel Warwick by Reautlinger via

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Ethel Warwick, 1900 via

Mary Anderson as Galatea (1880s)

Mary Anderson was an American actress. In 1875, she made her first stage appearance at a benefit performance at Macauley’s Theatre in Louisville, Kentucky in the role of Shakespeare’s Juliet.

In 1883 she starred in an American production of W. S. Gilbert’s Pygmalion and Galatea, that is is a blank verse play by W. S. Gilbert in three acts based on the Pygmalion story. Pygmalion was a Cypriot sculptor who carved a woman out of ivory, his statue was so beautiful and realistic that he fell in love with it.

she went on the London stage at the Lyceum Theatre, remaining in England for six years to perform to much acclaim including at the Shakespeare Memorial Theatre in Stratford-on-Avon. Her first season there, she starred in Gilbert’s Comedy and Tragedy as well as in Romeo and Juliet in 1884. In 1887 in London she appeared in The Winter’s Tale in the double role of Perdita and Hermione (the first actress to include this innovation). This production ran to 160 performances, and was taken back to the United States.

 

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American actress Mary Anderson (1859-1940) as Galatea in W. S. Gilbert’s Pygmalion and Galatea. Photographed by Napoleon Sarony (1821-1896) via

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Mary Anderson (1897 – 1986) as Galatea. She was an American actress, who appeared in 77 silent films between 1914 and 1923. Photo by Henry van der Weyde (1838-1924) via

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Mary Anderson as Galatea, in “Pygmalion and Galatea”. Photo by Sarony via

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Mary Anderson as Galatea in Pygmalion and Galatea via

 

Claudia Cardinale in Venice (1967)

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Claudia Cardinale enjoying a boat ride in Venice, 1967. She was first discovered at the Venice Film Festival in 1957, during a trip that she had won from a beauty contest in which she was crowned “The Most Beautiful Italian Girl in Tunisia.” © Bettmann/CORBIS via

Lillian Russell as Patience (1882)

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Patience is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and ’80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirizes romantic love, rural simplicity and military bluster. Photo: Lillian Russell as Patience at the Bijou Opera House in New York, 1882 via