Charles Dana Gibson, Woman in black evening dress, 1901 via
Charles Dana Gibson (1867 – 1944) was an American graphic artist, best known for his creation of the Gibson Girl, an iconic representation of the beautiful and independent American woman at the turn of the 20th century.
The artist saw his creation as representing the composite of “thousands of American girls.”The Gibson Girl image combined elements of older American images of caucasian female beauty, such as the “fragile lady” and the “voluptuous woman”. From the “fragile lady” she took the basic slender lines, and a sense of respectability. From the “voluptuous woman” she took a large bust and hips, but was not vulgar or lewd, as previous images of women with large busts and hips had been depicted. From this combination emerged the Gibson Girl, who was tall and slender, yet with ample bosom, hips and buttocks. She had an exaggerated S-curve torso shape achieved by wearing a swan-bill corset. Images of her epitomized the late 19th- and early 20th-century Western preoccupation with youthful features and ephemeral beauty. Her neck was thin and her hair piled high upon her head in the contemporary bouffant, pompadour, and chignon (“waterfall of curls”) fashions. The statuesque, narrow-waisted ideal feminine figure was portrayed as being at ease and stylish.
Many models posed for Gibson Girl-style illustrations, including Gibson’s wife, Irene Langhorne who may have been the original model, and was a sister of Viscountess Nancy (Langhorne) Astor. Other models included Evelyn Nesbit. The most famous Gibson Girl was probably the Belgian-American stage actress, Camille Clifford, whose high coiffure and long, elegant gowns that wrapped around her hourglass figure and tightly corseted wasp waist defined the style
Charles Dana Gibson, The Gibson Girl, Pen and ink on paper, 12.5 x 9.5 in. via
Charles Dana Gibson, A daughter of the south, 1909. Pen and ink, 57 x 40 cm via
Charles Dana Gibson, Well-Dressed Woman, Ink on paper 17 x 12 in. via
Charles Dana Gibson, Sweetest story ever told, 1910. Pen and ink over graphite under drawing ; 57.7 x 43.5 cm via
Charles Dana Gibson pen and ink on paper illustration for Collier’s Weekly; published in the artist’s collection Our Neighbors, 1905 via
Charles Dana Gibson, Patience, 1910 via