Vintage American Fashion Lithographs by Mme. Demorest (1880s)

Ellen Louise Demorest (1824 – 1898) was a US fashion arbiter. She was a successful milliner, widely credited for inventing mass-produced tissue-paper dressmaking patterns.

With her husband, William Jennings Demorest, she established a company to sell the patterns, which were adaptations of the latest French fashions, and a magazine to promote them (1860).

Her dressmaking patterns made French styles accessible to ordinary women, thus greatly influencing US fashion.

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Fashion lithograph from Mme. Demorest’s reliable patterns from the 1880’s. The Print shows 3 young women in daytime fashion of the day via

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Fashion lithograph from Mme. Demorest’s reliable patterns, circa 1880-1890’s. It shows a front and back view of the model gervaise basque – gwendoline skirt with adjustable train via

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Fashion lithograph from Mme. Demorest’s reliable patterns, circa 1880-1890’s. It depicts 3 children in fashion of the day via

Princess Beatrice Posing in her Beautiful Wedding Dress (1885)

In 1885 Princess Beatrice (1857-1944), the fifth daughter and youngest child of Queen Victoria and Prince Albert, married Prince Henry of Battenberg (1858–1896).

The marriage took place at Whippingham on the Isle of Wight on 23 July.

They had 3 sons and 1 daughter. Their daughter was Victoria Eugenie, Queen of Spain. King Felipe VI of Spain is her great-great-grandson.

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Princess Beatrice posing in her wedding dress, 1885 via

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Princess Beatrice posing with prince Henry, 1885 via

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Princess Beatrice posing in her wedding dress, 1885 via

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Princess Beatrice posing in her wedding dress, 1885 via

Empress Eugénie on a prie-Dieu by Gustave Le Gray (1856)

Doña María Eugenia Ignacia Augustina de Palafox y KirkPatrick, 16th Countess of Teba, 15th Marchioness of Ardales (1826 – 1920), known as Eugénie de Montijo, was the last Empress consort of the French, from 1853 to 1871, as the wife of Napoleon III, Emperor of the French.

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L’impératrice Eugénie agenouillée sur un prie-Dieu by Le Gray Gustave via

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L’impératrice Eugénie agenouillée sur un prie-Dieu dans le salon du palais de Saint-Cloud by Le Gray Gustave via

Amazing Photos by Pierre-Louis Pierson of the Duc d’Aumale Estate (1870s)

Pierre-Louis Pierson - Group Excursion on Duc d'Aumale Estate

Pierre-Louis Pierson, Group Excursion on Duc d’Aumale Estate, 1870s, France via

Pierre-Louis Pierson On the Grounds of the Estate of the Duc dAumale

Pierre-Louis Pierson, On the Grounds of the Estate of the Duc d?’Aumale, 1870s, France via

Pierre-Louis Pierson Group Excursion on Duc d'Aumale Estate

Pierre-Louis Pierson, Group Excursion on Duc d’Aumale Estate, 1870s, France via

First Public Photo of Queen Victoria (1860)

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Queen Victoria by John Jabez Edwin Mayall in 1860. One of the first published photographs of the Queen. The public had never seen or been able to buy a photograph of the Queen before and once on sale, the images were extremely popular via

Impressive Pioneer Photography by Hill & Adamson (1843 – 1848)

In 1843 artist David Octavius Hill joined engineer Robert Adamson in partnership at Rock House on Calton Hill, Edinburgh, Scotland.

During their brief four year partnership, between 1843-1848, Hill & Adamson produced the first substantial body of self-consciously artistic work using the newly invented medium of photography.

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David Octavius Hill, Hill & Adamson (Scottish, active 1843 – 1848), 1843 via

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Miss Matilda Rigby, Hill & Adamson (Scottish, active 1843 – 1848) via

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The bird-cage, Hill & Adamson (Scottish, active 1843 – 1848)  via

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A Discussion,  Hill & Adamson (Scottish, active 1843 – 1848), via

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The Letter, Hill & Adamson (Scottish, active 1843 – 1848) via

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Mr Laing or Laine, Hill & Adamson (Scottish, active 1843 – 1848) via

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Piper and Drummer of the 92nd Gordon Highlanders, Edinburgh Castle, Hill & Adamson (Scottish, active 1843 – 1848) via

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The Scott Monument,  Hill & Adamson (Scottish, active 1843 – 1848), about 1845 via

A Collection Of Portraits by Whistler

James Abbott McNeill Whistler (1834 – 1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and was a leading proponent of the credo “art for art’s sake”. His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail. The symbol was apt, for it combined both aspects of his personality—his art was characterized by a subtle delicacy, while his public persona was combative.

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Jo by James Abbott McNeill Whistler, 1861 via

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Weary by James Abbott McNeill Whistler, 1863 via

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Reading by Lamplight by James Abbott McNeill Whistler, 1858 via

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Annie Haden by James Abbott McNeill Whistler, 1860 via

Count Burckhardt published 1862 by James Abbott McNeill Whistler 1834-1903

Count Burckhardt by James Abbott McNeill Whistler, 1862 via