Photos Feat. Designs by Lucien Lelong

Lucien Lelong  (1889 – 1959) was born in Paris as the son of Arthur Lelong, the owner of a textile shop, he trained at the Hautes Etudes de Commerciales in Paris and opened his fashion house in the late 1910s. He was  eager to create garments that would highlight the body’s movements and elegance in motion: a kinetic fashion. He killed the 1920s “garçonne” look and privileged fluid garments inspired by neoclassical drapery, and later anticipated the New Look.

Lelong did not actually create the garments that bore his label. “He did not design himself, but worked through his designers,” wrote Christian Dior, who was a member of the Lelong team from 1941 until 1946, during which time he created the collections in collaboration with Pierre Balmain. “Nevertheless,” Dior continued, “in the course of his career as couturier his collections retained a style which was really his own and greatly resembled him.” Other designers who worked for Lelong included Nadine Robinson and Hubert de Givenchy.

Among Lelong’s clients were Marie Duhamel, Jeanne Ternisien (wife of the banker Georges Nelze), the Duchess de la Rochefoucauld, Greta Garbo, Gloria Swanson, Colette, and Rose Kennedy.

On the 10th August 1927 he married his second wife, Princess Natalie Paley (1905–1981), who had worked as a saleswoman in the Lelong perfume department. She was a daughter of Grand Duke Paul Alexandrovich of Russia and his morganatic wife, Olga Karnovich. Paley had starred in a few films, but found her succes being a Lelong model. They divorced in 1937.

Lelong retired in 1952, due to Poor health. Lelong’s third wife, who outlived him, went on to marry the French journalist Maurice Goudeket, the widower of Colette.

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Deutsch Photographic Studio, Lucien Lelong Design, 1930s via

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Marion Morehouse wearing a Lucien Lelong dress. Vogue, 1925 via

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Dress by Lucien Lelong via

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Nathalie Paley in a Lucien Lelong dress and evening coat by Dorvyne via

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Deutsch Photographic Studio, Lucien Lelong Design, 1930s via

Princess Nathalie Paley in Lucien Lelong by Man Ray, 1935

Princess Natalie Paley wearing a black sequined evening gown by Lelong. Photo by Man Ray, 1934 via

A Collection of Vintage Photos Feat. 1920s Wedding Dresses

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Ruth Schneider, 1924 via

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Bride from New York, 1920 via

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 Chanel wedding dress worn by Betty Garst, circa 1929 via

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Wedding The daughter of the Bolivian minister to France in a Patou-designed wedding gown, 1929 via

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Edwina Ehrman, c. 1926.  via

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Princess Anne of Orléans, Nov. 5, 1927 via

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Bride, 1920s via

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 Famous Silent Film Actress R Lya Marain Elaborate Bride Costume, 1920s via

 

Silent Film Star Louise Brooks at Home in Her Garden (1925)

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Portrait of Louise Brooks, 1925 via

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Portrait of Louise Brooks, 1925 via

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Portrait of Louise Brooks at home with her sister June, 1925 via

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Portrait of Louise Brooks, 1925 via

Wedding of Pola Negri and Prince Serge Mdivani (1927)

Pola Negri (1897 – 1987) was a Polish stage and film actress who achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles. She was reportedly Valentino’s lover until his death in 1926 – at the time of his death and for the remainder of her life, Negri would claim Valentino was the love of her life.

Negri and Princw Serge Mdivani were married on 14 May 1927 (less than nine months after Valentino’s death); they were married in the little hamlet of Seraincourt in. When she lost her fortune in the Stock Market Crash of 1929, he abandoned her and took up with opera singer Mary McCormic, who divorced him in a highly publicized trial.

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Pola and Serge in their wedding day 4 May 1927 via

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Photo Shows Pola and Serge, with Prince Gregory Mdivani (center), father of the Groom, and Mr. Clifford B. Harmon, the best Man, at the right, in back of the Groom, shortly after the ceremony was performed via

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Pola and Serge in their wedding day 4 May 1927 via

Vintage Photos of Suzanne Lenglen – the Greatest Female Tennis Player in History

Suzanne Lenglen (1899 – 1938) was a French tennis player who won 31 Championship titles between 1914 and 1926. She was the first female tennis celebrity and one of the first international female sport stars, named La Divine (the Goddess) by the French press. She dominated women’s tennis from 1914 until 1926 when she turned professional.

Prior to Lenglen, female tennis matches drew little fan interest, which quickly changed as she became her sport’s greatest drawing card. Tennis devotees and new fans to the game began lining up in droves to buy tickets to her matches. Temperamental, flamboyant, she was a passionate player whose intensity on court could lead to an unabashed display of tears. But for all her flamboyance, she was a gifted and brilliant player who used extremely agile footwork, speed and a deadly accurate shot to dominate female tennis for seven straight years. Her excellent play and introduction of glamour to the tennis court increased the interest in women’s tennis, and women’s sports in general.

Lenglen’s 241 titles, 181 match winning streak and 341-7 (98%) match record are hard to imagine happening in today’s tennis atmosphere.

 

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French tennis player Suzanne Langlen via

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Suzanne Lenglen in Jean Patou Tennis Ensemble, 1920 via

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Jacques Henri Lartigue, Suzanne Lenglen training, Nice, 1921 © Ministère de la Culture – France / AAJHL via

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Suzanne Lenglen in Jean Patou Ensemble, 1926 via