Anita Ekberg Inside St Peter’s dome in La Dolce Vita (1960)

11-anita-ekberg

Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

21-anita-ekberg

Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

22-anita-ekberg

Marcello Mastroianni and Anita Ekberg inside St Peter’s dome in La Dolce Vita directed by Federico Fellini, 1960 via

Brigitte Bardot and her Musician Boyfriend Sacha Distel in St. Tropez (1958)

BG_BB_Sacha_Distel_1958_master

Brigitte Bardot and Sacha Distel, St Tropez, France by Burt Glinn, 1958 via

burt

Brigitte Bardot and Sacha Distel, St Tropez, France by Burt Glinn, 1958 via

bardottrop.jpeg

Brigitte Bardot and Sacha Distel, St Tropez, France by Burt Glinn, 1958 via

 

Romy Schneider and Jean Claude Pascal by Claude Schwartz (1955)

romy-schneider

Portrait of Romy Schneider by Claude Schwartz, 1955 via

011-romy-schneider

Portrait of Romy Schneider and Jean Claude Pascal by Claude Schwartz, 1955 via

012-romy-schneider

Portrait of Romy Schneider and Jean Claude Pascal by Claude Schwartz, 1955 via

Gregory Peck and Audrey Hepburn in Roman Holiday (1953)

002-roman-holiday

Portrait of Gregory Peck and Audrey Hepburn for Roman Holiday directed by William Wyler, 1953 via

04-gregory-peck

Portrait of Gregory Peck and Audrey Hepburn for Roman Holiday directed by William Wyler, 1953 via

Amazing French Fashion Photography by Georges Dambier

Georges Dambier was born in 1925 and was one of the first fashion photographers to take models out of the studio and into the streets. While he was still building and perfecting his craft, Dambier was hired by Helene Lazareff, director of ELLE, the fashion magazine, who encouraged him and gave him his first assignment as a fashion photographer.

During his career Dambier photographed amongst others: Rita Hayworth, Gene Tierney, Errol Flynn, Jeanne Moreau, Jean Cocteau, ou Colette, mais aussi Bettina, Capucine and Suzy Parker.

Georges Dambier did not conform to the standard technique of taking fashion pictures, with models standing emotionless and seemingly indifferent to the camera. Instead, he showed models smiling, laughing and often in action. His models were surrounded by local people in a market place in Marrakech, or in a village in Corsica, or – and above all – in his beloved Paris. 

Capucine for ELLE, Boulevard de la Madeleine, Paris, Georges Dambier, 1952 via

Suzy Parker by Georges Dambier via

Suzy Parker Shop Lanvin, Elle, Georges Dambier, 1952 via

1957 via

Sophie Litvak and little dog, Elle, 1952 via

Pioneering fashion photography by Elsbeth Juda

Elsbeth Juda, known professionally as Jay (born 2 May 1911), is a British photographer most notable for her pioneering fashion photographs and work as Associate Editor and photographer for The Ambassador magazine between 1940-1965.

Juda was born in Darmstadt, Germany on 2 May 1911. At 18, she refused to go to Oxford as her father wished and went to Paris where she found work as secretary to a banker. In 1931, Elsbeth married her childhood love, Hans Juda, and they went to live in Berlin where he was a financial editor at the Berliner Tageblatt. In 1933, they fled Nazi Germany with nothing but a violin and moved to a one-room flat in London, a city she had been sent to frequently, if not happily, as a girl.

Juda studied photography under Lucia Moholy (wife of László Moholy-Nagy) formerly of the Bauhaus and started her long career in a commercial studio as “dark room boy”. In 1940, Hans became founding publisher and editor of The Ambassador, The British Export Magazine. Juda would later join the magazine as associate editor and fashion photographer as, unlike Hans, she spoke fluent English.

729

Elsbeth Juda via

727

Elsbeth Juda via

EJ-02

Elsbeth Juda via

 EJ-09

Elsbeth Juda via

Amazing Fashion Photography by Lillian Bassman

Lillian Bassman (1917–2012) was a photographer, art director, and painter best known for her work in fashion photography.

Bassman wanted to be a dancer, but an injury to her heel crushed that hope. Instead, she attended a vocational high school and studied textile design. She graduated in 1933.

From the 1940s until the 1960s Bassman worked as a fashion photographer for Junior Bazaar and later at Harper’s Bazaar where she promoted the careers of photographers such as Richard Avedon, Robert Frank, Louis Faurer and Arnold Newman. Under the guidance of the Russian emigrant, Alexey Brodovitch, she began to photograph her model subjects primarily in black and white. Her work was published for the most part in Harper’s Bazaar from 1950 to 1965.

By the 1970s Bassman’s interest in pure form in her fashion photography was out of vogue. She turned to her own photo projects and abandoned fashion photography. In doing so she tossed out 40 years of negatives and prints – her life’s work. A forgotten bag filled with hundreds of images was discovered over 20 years later. Bassman’s fashion photographic work began to be re-appreciated in the 1990s.

The most notable qualities about her photographic work are the high contrasts between light and dark, the graininess of the finished photos, and the geometric placement and camera angles of the subjects. Bassman became one of the last great woman photographers in the world of fashion.

 

Lillian Bassman via

Lillian Bassman. Barbara Mullen (Blowing Kiss VARIANT), Harper’s Bazaar via

bass

Lillian Bassman. More Fashion Mileage per Dress, Barbara Vaughn, New York via

bass2

Lillian Bassman. Southwest Passage – Sunset Pink: Model unknown, pajamas via

Lillian Bassman via

Lillian Bassman, wedding dress via

Lillian Bassman. Fantasy on the Dance Floor: Barbara Mullen in a Christian Dior Dress, Paris. Harper’s Bazaar, 1949 via

Lillian Bassman via