Brigitte Bardot and her Musician Boyfriend Sacha Distel in St. Tropez (1958)

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Brigitte Bardot and Sacha Distel, St Tropez, France by Burt Glinn, 1958 via

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Brigitte Bardot and Sacha Distel, St Tropez, France by Burt Glinn, 1958 via

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Brigitte Bardot and Sacha Distel, St Tropez, France by Burt Glinn, 1958 via

 

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Gregory Peck and Audrey Hepburn in Roman Holiday (1953)

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Portrait of Gregory Peck and Audrey Hepburn for Roman Holiday directed by William Wyler, 1953 via

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Portrait of Gregory Peck and Audrey Hepburn for Roman Holiday directed by William Wyler, 1953 via

Romy Schneider and Jean Claude Pascal by Claude Schwartz (1955)

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Portrait of Romy Schneider by Claude Schwartz, 1955 via

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Portrait of Romy Schneider and Jean Claude Pascal by Claude Schwartz, 1955 via

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Portrait of Romy Schneider and Jean Claude Pascal by Claude Schwartz, 1955 via

Vintage Portraits of British Princesses by Cecil Beaton

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Princess Elizabeth by Cecil Beaton, Gelatin silver print, Buckingham Palace, March 1945. Museum no. E.1361-2010, © V&A Images via

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Princess Margaret by Cecil Beaton bromide print, 1950 20 3/4 in. x 15 7/8 in. (527 mm x 403 mm) Purchased, 1987 NPG P349 © V&A Images via

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Princess Marina, Duchess of Kent by Cecil Beaton bromide print on white card mount, 1939 9 7/8 in. x 8 in. (252 mm x 203 mm) Given by Cecil Beaton, 1968 NPG x21151 © V&A Images via

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Princess Alice, Duchess of Gloucester by Cecil Beaton bromide print on white card mount, 1961 8 3/4 in. x 5 7/8 in. (223 mm x 150 mm) Given by Cecil Beaton, 1968
NPG x35198 © V&A Images via

Beautiful Elizabeth Taylor in historical film Beau Brummell (1954)

George Bryan “Beau” Brummell (1778 – 1840) was an iconic figure in Regency England, the arbiter of men’s fashion, and a friend of the Prince Regent, the future King George IV.

Beau Brummell is a 1954 American-British historical film released by Metro-Goldwyn-Mayer. According to MGM records the film earned $1,049,000 in the US and $1,652,000 elsewhere. It made a loss of $383,000.

However, in recent years the film has attained a considerable cult status and popularity, largely because of the story of British high society in the colorful Napoleonic and Regency Eras and because of memorable performances by Granger, Taylor, Ustinov and Morley as “Mad King George III”.

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Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via

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Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via

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Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via

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Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via

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Elizabeth Taylor by Virgil Apger on the set of “Beau Brummell” directed by Curtis Bernhardt, 1954 via

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Elizabeth Taylor by Virgil Apger on the set of “Beau Brummell” directed by Curtis Bernhardt, 1954 via

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Elizabeth Taylor by Virgil Apger in “Beau Brummell” directed by Curtis Bernhardt, 1954 via

Vintage Photos of Jean Seberg on the set of Bonjour Tristesse (1958)

Bonjour Tristesse (“Hello, Sadness”) is a 1958 British-American Technicolor film in CinemaScope, directed and produced by Otto Preminger from a screenplay by Arthur Laurents based on the novel of the same title by Françoise Sagan.

A Guardian piece in 2012 described it as:

“an example of Hollywood’s golden age, and both its star and its famously tyrannical director are ripe for rediscovery.”

The film stars Jean Seberg as Cécile, a decadent young girl who lives with her rich playboy father, Raymond (David Niven). Anne (Deborah Kerr), a mature and cultured friend of Raymond’s late wife, arrives at Raymond’s villa for a visit.

Cécile is afraid that Anne will disrupt the undisciplined way of life that she has shared with her father, so she does her best to break up the relationship with Anne.

 

 

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Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via

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Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via

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Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via

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Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via

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Jean Seberg on the set of Bonjour Tristesse directed by Otto Preminger, 1958 via

 

Two Portraits of Romy Schneider on the Set of Sissi (1957)

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Portrait of Romy Schneider on the set of Sissi – Schicksalsjahre einer Kaiserin/ Face à son destin, directed by Ernest Marischka, 1957. Photo by F.C. Gundlach via

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Portrait of Romy Schneider on the set of Sissi – Schicksalsjahre einer Kaiserin/ Face à son destin, directed by Ernest Marischka, 1957. Photo by F.C. Gundlach via