Some Vintage Alphonse Mucha Photographic Studies

In 1887 while studying, Czech painter and decorative artist, Alphonse  Mucha (1860 – 1939) moved to Paris. There he, in addition to studying, worked at producing magazine and advertising illustrations. About Christmas 1894, Mucha happened to go into a print shop where there was a sudden and unexpected need for a new advertising poster for a play featuring Sarah Bernhardt. Mucha volunteered to produce a lithographed poster within two weeks, and on 1 January 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she began a six-year contract with Mucha. His style was given international exposure by the 1900 Universal Exhibition in Paris, of which Mucha said:

“I think [the Exposition Universelle] made some contribution toward bringing aesthetic values into arts and crafts.”

Mucha produced a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewelry, carpets, wallpaper, and theatre sets in what was termed initially The Mucha Style but became known as Art Nouveau (French for “new art”). Mucha’s works frequently featured beautiful young women in flowing, vaguely Neoclassical-looking robes, often surrounded by lush flowers which sometimes formed halos behind their heads. In contrast with contemporary poster makers he used pale pastel colors.

Mucha’s work has continued to experience periodic revivals of interest for illustrators and artists. Interest in hiss distinctive style experienced a strong revival during the 1960s, with a general interest in all things Art Nouveau.

 

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Alphonse  Mucha, Study for a Decorative Panel (1908) via

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Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce  © Mucha Foundation via

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Alphonse  Mucha. Model posing in Mucha’s studio rue du Val de Grâce  © Mucha Trust
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Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce via

1900 The Precious Stones 4b photographic study in Mucha's stdio Rue du Val de Gra_ce, Paris _ Mucha Trust

 The Precious Stones photographic study in Mucha’s stdio Rue du Val de Grâce (1900), Paris © Mucha Trust via

03 c1900 Portrait of a Lady photographic study in Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust

Portrait of a Lady photographic study in Mucha’s studio, Rue du Val de Grâce (ca. 1900), Paris © Mucha Trust via

5 Photographic study

Photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris via

16 Photgraphic study for 'Truth'

Photographic study for ‘Truth’ © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris  via

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Amazing Victorian Photos of Muse Jane Morris

Jane Morris (née Jane Burden 1839 –  1914) was an English artists’ model who embodied the Pre-Raphaelite ideal of beauty. Her father was a stableman and her mother a laundress, Jane Burden grew up in impoverished surroundings in Oxford.

She became a model and muse to the artists William Morris, whom she married  in 1859, and Dante Gabriel Rossetti.

Although she married Morris, it was Dante Gabriel Rossetti who first spotted Jane at a performance at Drury Lane Theatre in 1857 and asked her if she would model for his paintings.

Jane Morris, posed by Rossetti by John R Parsons, 1865

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Jane Morris, posed by Rossetti by John R Parsons, 1865

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John Robert Parsons, under the direction of Rossetti, 1865
© V&A Images / Victoria and Albert Museum, London

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Dante Gabriel Rossetti, Portrait of Jane Morris, 1865, Charcoal with touches of black chalk on cream wove paper,

42.7 x 35.3 cm, Harvard Art Museums/Fogg Museum

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Jane Morris by Lewis Carroll, after Dante Gabriel Rossetti
 photograph of drawing, albumen print, 8 October 1863

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